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Making Place for the Modern Road

The Road Exhibitions in Brussels (1910) and Liège (1930)

David Peleman

This article describes how two temporary road exhibitions before World War II functioned as tools to frame the Belgian road project as a rich cultural venture. In the absence of a comprehensive policy and any diverse cultural engagement by the government, a particular relationship between culture, technology, and society crystallized in the museological arrangement of these exhibitions. The article argues that, while these exhibitions relate the road project to a broad cultural field, they simultaneously instill a rigid way of reasoning about the modern road.