This forum of brief essays derives from a day-long gathering held at NYU’s Institute of French Studies to discuss Debora Silverman’s prizewinning Van Gogh and Gauguin: The Search for Sacred Art (New York: Farrar, Straus and Giroux, 2000). Silverman’s groundbreaking book shows how the deeply religious and spiritual environment in which both Gauguin and van Gogh grew up helped to shape, in important ways, their perceptions of the world, perceptions fundamental to the making of their art and to our own understanding of it. Despite the two painters’ ostensibly secular views of the world,Silverman argues, their respective religious educations remained with them and underpinned their art. Religion affected not only the subject matter of their paintings but texture, surface, color, and composition as well.
Empire and the French Public, 1880-1940
Tony Chafer and Amanda Sackur, eds., Promoting the Colonial Idea: Propaganda and Visions of Empire in France (New York: Palgrave, 2002).
Pascal Blanchard and Sandrine Lemaire, Culture Coloniale: La France conquise par son Empire, 1871-1931 (Paris: Autrement, 2003).
Claude Liauzu and Josette Liauzu, Quand on chantait les colonies (Paris: Syllepse, 2002).
Patricia Morton, Hybrid Modernities: Architecture and Representation at the 1931 Colonial Exposition, Paris (Cambridge, Mass.: MIT Press, 2000).
Edward Berenson, Elinor Accampo, Joseph Bohling and Michael Seidman
Aaron Freundschuh, The Courtesan and the Gigolo: The Murders in the Rue Montaigne and the Dark Side of Empire in Nineteenth-Century Paris (Stanford: Stanford University Press, 2017).
Nancy L. Green, The Other Americans in Paris: Businessmen, Countesses, Wayward Youth, 1880–1941 (Chicago & London: The University of Chicago Press, 2014).
Peo Hansen and Stefan Jonsson, Eurafrica: The Untold History of European Integration and Colonialism (New York: Bloomsbury, 2014).
Jean-Pierre Le Goff, Malaise dans la démocratie (Paris: Éditions Stock, 2016).