The study of Victorian masculinities is now a burgeoning field. In 1995 an emphasis on pluralities was registered in titles such as Herbert Sussman’s Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art and Joseph A. Kestner’s Masculinities in Victorian Painting. Ten years on, Martin A. Danahay’s Gender at Work in Victorian Culture: Literature, Art and Masculinity would still be concerned with the many and competing ways in which masculinity was represented in the nineteenth century. This is not the only task of writers on masculinity, however. In 1995 R.W. Connell noted: ‘To recognize more than one kind of masculinity is only a first step. We have to examine the relations between them. Further, we have to unpack the milieux of class and race and scrutinize the gender relations operating within them.’ Much recent work on masculinity does just that and the essays published here reflect this imperative.