Search Results

You are looking at 1 - 2 of 2 items for

  • Author: Holly Thorpe x
  • All content x
Clear All Modify Search
Restricted access

Holly Thorpe

Abstract

This article advocates the value of a mobilities approach to examining the lived experiences of youth in contexts of war, conflict, and disaster. With the aim of moving beyond “victim” narratives, it critically examines three cases of youth engagement in alternative sporting forms in post-earthquakes Christchurch and conflict-torn Afghanistan and Gaza. These are contexts in which youth physical mobilities are highly constrained, yet in each of these cases we also see youth creatively developing an array of strategies and initiatives to help improve their own and others’ health and well-being, for social and physical pleasure, and in some cases to challenge power relations. The three brief cases highlight the multiple and complex layers of transnational mobilities, with the flows of people, objects, and ideas across borders, being negotiated and (re)appropriated by youth in locally specific ways.

Free access

Introduction

Understanding Mobilities in a Dangerous World

Gail Adams-Hutcheson, Holly Thorpe, and Catharine Coleborne

Abstract

The mobilities framework offers a particularly informative and potent paradigm through which to draw together interdisciplinary scholarship about the present world. In this introduction—and indeed, derived from a symposia on mobilities in a dangerous world—we explore the dynamics of contemporary mobilities through a critical focus on “dangerous” spaces and places. We discuss the potential of a sustained dialogue between mobilities studies and our focus on risk, adversity, and perceptions of danger. Although disasters link to four of the articles, ideas are expanded to draw on the multiple scales of risk and danger in everyday life within and across an array of international contexts. In this special issue, dynamic mobilities are facilitated by ships, skate-boards, buildings, art, and cities; they are also encountered in darkness, in light, and through bodies as well as physical and imagined movements.