Landmark anthropological works on fame have shown that gift-giving is often the vehicle for producing relations of 'positive value' and recognition. When viewing fame against the related notion of fortune, however, the focal point of study shifts to how people produce reputations that are 'beyond value' or 'priceless'. This article proposes that the Nuosu of Southwest China enter into an ongoing 'economy of ordeals' in order to accumulate priceless 'tokens of value' that increase their 'fate-fortune' and fame. It shows that ambitious Nuosu accept new ordeals to achieve fame, while comfortably viewing their accomplishments as akin to those of a predatory spider. Tellingly, though, these efforts are vulnerable to the counter-extractive maneuvers of other people and ghosts, which present the Nuosu with new ordeals that could deplete their resources.
Fieldwork, Biography, and Authorship in Southwest China and Beyond
This article is an exploration into how a distinct fascination with the study of religion traverses the biographies of researchers who, through fieldwork, episodically enter into the life-worlds of the peoples they study. In it, I offer up ethnographic and auto-ethnographic reflections on the experiential crossroads and personal biographies that are perhaps as constitutive of religion as they are of the persons who study it. Through a discussion of interconnected events that arose during and outside of my anthropological fieldwork among the Nuosu, a Tibeto-Burman group of Southwest China, I highlight how Nuosu claims to authoring my biography have brought their animistic religion and culture, as well as its international import, further into focus for myself, local scholars, and rural Nuosu persons. My argument pivots around the idea that fieldwork-based researchers and their interlocutors often appropriate each other’s biographies in rather cosmic ways, thus revealing the historically, socially, and personally contingent qualities that are involved in studies of religion.
Hidden Jokes and the Reinvention of Animistic Ontologies in Southwest China
Anthropology has, among its many accomplishments, become a ‘hyper-reflexive’ discipline that is mastered by anthropologists and their fieldwork friends. Today’s China offers an especially revealing lens onto anthropological reflexivity as it reintroduces animism among ethnic minorities and mobilizes a cosmological-cum-ecological ethos, replete with soul-searching and planet-saving behaviors. This article presents ethnography on the Nuosu of Southwest China, who use the ‘art of capture’ to reinvent local animistic ideas and the Chinese ‘ideology of animism’. In dialogue with a Nuosu ethnologist, rural Nuosu villagers, and a Nuosu anthropologist, I propose that ‘hidden’ knowledge and jokes underpin the expositions of native scholars, who interlace their academic work with local rituals. In this way, Nuosu academics, foreign anthropologists, and villagers all partake in the reinvention of Nuosu animism.
Anthropological Knowledge Making, the Reflexive Feedback Loop, and Conceptualizations of the Soul
Katherine Swancutt and Mireille Mazard
In this introduction, we propose a new approach to anthropological knowledge making that would observe the ‘hyper-reflexive’ quality of ethnographic exchanges. We show that anthropological ideas infiltrate themselves into the discourse of native thinkers, even as native ideas regenerate anthropological theory. Our starting point is ‘animism’, a key concept of anthropological theory. We suggest that anthropologists and their interlocutors jointly reinvent animistic ideas through a process we describe as the ‘reflexive feedback loop’, in which abstract ideas about practice and belief are appropriated and recirculated by research participants. By way of conclusion, we reflect on how anthropologists and their collaborators ‘animate’ soul concepts through diverse forms of agency such as metamorphosis, doubling, autobiographical narrative, hidden jokes, and even technological animism.
Sarah J. Mahler, Jeffrey A. Sluka, Thomas Hylland Eriksen, Charlotte Loris-Rodionoff, and Katherine Swancutt
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