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Kees Ribbens

Bruno Denéchère and Luc Révillon, 14–18 dans la bande dessinée: Images de la Grande Guerre de Forton à Tardi [‘World War I in [Franco-Belgian] comics: Images of the Great War from Forton to Tardi’], Collection La bulle au Carré (Turquant: Cheminements, 2008), 167 pp. isbn 978-2-84478-697-5 (€24).

Vincent Marie and L’Historial de la Grande Guerre, Images de la Grande Guerre dans la bande dessinée de 1914 à aujourd’hui [‘Images of the Great War in Comics from 1914 to the Present’] (Milan: 5 Continents Editions, 2009). 111 pp. isbn 978-88-7439-518-7 (€25).

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Maggie Gray, Kees Ribbens, Sebastian Domsch and Dyfrig Jones

Thierry Groensteen, The Expanding Art of Comics: Ten Modern Masterpieces, trans. Ann Miller (Jackson: University Press of Mississippi, 2017). 240 pp. ISBN: 978-1-49-680802-8 ($65)

Nina Mahrt, Die Darstellung realer Kriege in Comics (Frankfurt: Peter Lang, 2016). 471 pp. ISBN: 978-3-631-67658-5 (€84.20)

Anna Maria Jones and Rebecca N. Mitchell, eds, Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts (Athens: Ohio University Press, 2017). 386 pp. ISBN: 978-0-82-142247-2 ($80)

Chris Murray, The British Superhero (Jackson: University Press of Mississippi, 2017). 240 pp. ISBN: 978-1-49-680737-3 ($65)

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Matthew Screech, Bart Beaty, Kees Ribbens and Christina Meyer

Jean-Marie Apostolidès, Dans la Peau de Tintin [‘In Tintin’s Skin’]

Alain Boillat, ed., Les Cases à l’écran: Bande dessinée et cinéma en dialogue [‘Panels on the Screen: Comics and Cinema in Dialogue’]

Viviane Alary and Benoît Mitaine, eds., Lignes de front: bande dessinée et totalitarisme [Frontlines: Comics and Totalitarianism]

Thomas Becker, ed., Comic: Intermedialität und Legitimität eines popkulturellen Mediums [‘Comics: Intermediality and Legitimacy of a Popular Medium’]