ARTIST EXPOSÉ Peaches (Merrill Nisker)
Performance, Hybridity and Resistance
Art-making, Becoming Girl and Collective Biography
This article analyses a set of stories and artworks that were produced in the context of a collective biography workshop. A Deleuzian framework is used to explore the entanglements that are produced through a cross-reading of different kinds of texts, each taking up the question of girlhood subjectivities. The analysis focuses on the contradiction and indeterminacy of meaning-making in the research process. The aim is to investigate how different kind of knowing and a different kind of knowledge(s) are produced in the movements between texts, sensation and affect.
Marnina Gonick and Susanne Gannon
In June 2011, seven feminist academics gathered to spend a week working together on a collective biography workshop in a small resort town, called Hawk’s Nest, in New South Wales, Australia. Some of us were senior faculty with prior experience with the methodology of collective biography, others were freshly minted or about to be minted PhDs who were totally new to the research methodology. Some of us knew each other from other contexts, and others were meeting for the first time. We were from five different university institutions, working in a range of fields in schools of Education.
A Discourse Analysis of Media Coverage
Lyndsay Anderson and Marnina Gonick
In September 2013 student leaders at Saint Mary's University in Halifax, Nova Scotia, used a chant about the rape of underage girls as part of an Orientation Week activity for new students. The incident garnered national and international media coverage. In this article, we analyze and critique a selection of Canadian media articles published in the weeks after the rape chant was used. We draw on feminist analysis of post-feminism and the sexualization of youth cultures to show how, in their struggle to make sense of the incident, the media critique reiterates harmful discourses of youth, gender and sexuality while undermining deeper understanding of rape culture.
Bronwyn Davies, Marnina Gonick, Kristina Gottschall, and Jo Lampert
This article analyzes a series of stories and artworks that were produced in a collective biography workshop. It explores Judith Butler's concept of the heterosexual matrix combined with a Deleuzian theoretical framework. The article begins with an overview of Butler's concept of the heterosexual matrix and her theorizations on how it might be disrupted. It then suggests how a Deleuzian framework offers other tools for analyzing these ruptures at the micro level of girls' everyday interactions.
What Comes After Girl Power?
Marnina Gonick, Emma Renold, Jessica Ringrose, and Lisa Weems
With the current proliferation of images and narratives of girls and girlhood in popular culture, many ‘truths’ about girls circulate with certainty. Amongst the aims of this Special Issue is to examine critically these ‘confi dent characterizations’ (Trinh 1989), to trace the social conditions which produce these ‘truths’ along with the public fascination with girls and to analyze critically the eff ects of these ‘truths’ in the lives of young girls. Th e concepts of resistance and agency have been critical to the field of youth studies, sociology of education and school ethnographies (Hall and Jeff erson 1976; McRobbie 1978; Willis 1978) for conceptualizing the relationships between young people and their social worlds. Ground breaking scholarship by McRobbie (2000) challenges the gendered assumptions of political agency articulated in previous theories of subcultures developed in the 1970s and 80s. While feminist poststructuralist work in the 1990s has re-conceptualized agency in ways that are markedly diff erent to humanist notions of rational actors with free-will (Butler 2006; Davies 2000), feminist researchers have also shown the importance of a classed, raced and sexed analysis of agency. For example, scholarship by feminists of color have shown how girls of color challenge and defy dominant stereotypes of girlhood in culturally specifi c ways such as participating in spokenword contests, rap and hip hop, and ‘beauty contests’ (Hernandez and Rehman 2002; Gaunt 2006). In the changing social, economic, political and globalizing context of the new millennium, where ‘girl power’ has become a marketing tool and a branding (Klein 2000) of girlhood, it is important to look anew at the relations between girlhood, power, agency and resistance.