Geographical, political, and historical contexts foreground the relationship between Americans of Mexican heritage and Mexican citizens. Contemporary US struggles over Mexican immigration and the focus on border studies also mark the significance of this relationship. This article analyzes chicano author Gary Keller's short story, "The Raza Who Scored Big in Anáhuac," with a specific focus on this crucial relationship. Employing the work of John Urry and others, this article takes a critical look at the mechanism of the 'gaze' and the way that it functions in heritage tourism. In doing so, it calls into question the presumed innocence of tourism and its constant companion, photography - an extension of the 'gaze.' Moving beyond the protagonist's illusion of the potential for a cultural connection across borders, this article culminates in an analysis of class, the final denominator between the Mexican American and the mexicano.