During the past 10 years, protests timed to coincide with international summits have become a recurrent phenomenon in Europe. The present article describes the protests of left radical activists during NATO's sixtieth anniversary summit in Strasbourg in 2009, paying attention to the particular relationship between form, body, and time. The article establishes a dialogue between the performative theory of Victor Turner, Viveiros de Castro's theorization of Amerindian perspectivism, and newer theories of time and the body. It is argued that during confrontations between activists and the police, a moment of bodily synchronicity emerges among activists. A skillful performance makes a temporal bodily perspective appear that overcomes the antinomies between immanence and transcendence, between the present and the future, that characterize much thought on social change.
On the Form and Temporality of Protests among Left Radical Activists in Europe
The Conflict Between Ungdomshuset and Faderhuset
Stine Krøijer and Inger Sjørslev
This article is concerned with the idea of societal 'spaciousness' and its relationship to individual and collective autonomy. These issues are analyzed in the context of the eviction of a self-managed social center of left-radical activists in Copenhagen and the protests and public debate that followed. The authors find that societal spaciousness in Denmark is metaphorically associated with a house or a limited physical space. People should limit themselves in public space, as in a house, to 'make room' for all. Because youngsters are not conceived of as fully fledged political subjects who are able to conduct themselves appropriately in public space, they become a group of special concern. The authors argue that space should be conceived as a dimension of social relations, and that sociality relies on a temporal assemblage of people, things, and imaginaries with space.
The Concern for Sociality—Practicing Equality and Hierarchy in Denmark
Maja Hojer Bruun, Gry Skrædderdal Jakobsen and Stine Krøijer
Equality is one of the concepts that people often associate with Scandinavia. Within anthropology, the works of Marianne Gullestad (1946–2008)—particularly, her monograph Kitchen-Table Society (1984) and the anthology The Art of Social Relations (1992a)—are among the few attempts to contribute to the theoretical debate on egalitarianism and sociality. With her concept of ‘egalitarian individualism’, Gullestad inscribes Scandinavia within broader comparative studies of ideological systems revolving around two dichotomies: hierarchyequality and holism-individualism (Béteille 1986; Dumont 1970, 1986; Kapferer 1988; Robbins 1994). Gullestad (1992b: 183) developed a theory of a specific “Norwegian, Scandinavian or Northern European variety” of modernity and of the general modern themes of individualism and equality. Exploring egalitarian individualism from different angles, she argued that equality is cast as ‘sameness’ in Scandinavia (Gullestad 1992d: 174 ff.), meaning that people develop an interactional style that emphasizes similarity and under-communicates difference in order to feel equal and to establish a sense of community. In Gullestad’s (1992b: 197) view, ‘equality as sameness’ is a central cultural idea that balances and resolves the tensions in the Norwegian ideological system between the individual and society, independence and community, equality and hierarchy.