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Each Female Fan Has Her Own Story

Three Fandom Autoethnographies

Tamar Rapoport and Efrat Noy

This article advocates autoethnography as a critical feminist methodology for using personal testimony to investigate women’s experience and performance of fandom The article’s centerpiece is an analysis of the personal testimonies of three women—researcher-fans of different ages—of a fan-owned club Hapoel Katamon Jerusalem. In addition to revealing women’s gendered-based experiences and the different ways in which women acquire and perform fandom, their personal stories prove valuable for exposing the gendered regime of the football field. Moreover, they reveal how women who are not fluent in the hegemonic language of fandom make their way in the fandom field as they seek their own voice and position in it. The analysis suggests that women’s participation can disrupt the hegemonic masculinity of fandom and challenge its established boundaries, thereby problematizing accepted definitions of the authentic fan.

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Guest Editors' Introduction

Football and Society in Israel—a Story of Interdependence

Tamar Rapoport and Amir Ben Porat

Israel, where it has been played every weekend all over the country since before the establishment of the state. Football is not just a game that children and adults love to play and watch; it also involves individual, group, and collective identities, and local and national identification. Football reflects, and often accentuates, political and social conflicts that highlight ethno-national, class, political, and gender hierarchies and tensions in society. The game is largely dependent on the surrounding context(s) that determines its “relative autonomy,” which shapes its distinguished fandom culture(s) and practices (Rapoport 2016).