What if war is not hell? What if war is not entertainment? What if war is, instead, the stuff dreams are made of? What is one then to anticipate of one’s tour of duty in a war zone? In this article, I interrogate anticipations in relation to soldierly becomings through deployment to Afghanistan. Based on ethnographic fieldwork with Danish combat troops, I explore the uneasy coexistence of two anticipatory plotlines: ‘the passion’ and ‘the desert’. The former depicts the tour of duty as a heroic adventure driven by desire for real combat, while the latter casts deployment as an anti-heroic misadventure imposed by the dull reality in theatre. I argue that anticipation can harbour ambivalent, even antagonistic, yet simultaneous expectations of what might come. I show that anticipation is further blurred, as our anticipatory horizons are tied not only to our unsettled plotlines of becoming but also to our being’s existential imperative.