This paper looks at Sartre's 1957 papers on Jacopo Tintoretto to examine his reading of action and space in Tintoretto's St George and the Dragon. I suggest that Sartre offers an idea of grace which, far from shoring up a sense of decisive resolution to the action depicted in the painting, speaks instead of an abandonment in the subjective situation. This notion of abandonment appears through the erasure of a conclusive causal point, the disappearance of which lies at the heart of Sartre's reading. Once freed from causal moorings existence is not loosened but rather becomes weighed down in its very situation. Taking support from the work of Levinas this paper considers how Sartre follows the cursive lines of this burdened subjectivity within the deceptive play of Tintoretto's painting.
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'Grace Revealed and Erased': Sartre on Tintoretto's Modest Plenitude
Tim Huntley
Book Reviews
Tim Huntley, Alistair Rolls, and David Drake
Helen Tattam, Time in the Philosophy of Gabriel Marcel Review by Tim Huntley
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Georges Barrère, Tim Huntley, and Nik Farrell Fox
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Sam Coombes, The Early Sartre and Marxism Review by Manuel Braganca
Joseph S. Catalano, Reading Sartre Review by Nik Farrell-Fox
Jean-Pierre Boulé and Benedict O’Donohoe, Jean-Paul Sartre: Mind and Body, Word and Deed
Tony Judt, Marxism and the French Left: Studies on Labour and Politics in France, 1830–1981 and Past Imperfect: French Intellectuals 1944–1956 Reviews by Willie Thompson