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Voicing Pride and Futurity in the Age of A.I.

An Interview with Playwright Pao-Chang Tsai on Solo Date

Jing Chen and Pao-Chang Tsai

intelligence, evoking “profound ethical questions surrounding the interactive technologies humankind increasingly relies on” ( BWW News Desk 2018 ). It has had successful runs at international arts festivals in Britain, Austria, and the United States, where

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Lieke Hettinga and Terrance Wooten

, Shu Lea . 2001 . I.K.U. Japan . Diamond , Morty . 2007 . Trans Entities: The Nasty Love of Papí and Wil . USA . Scheirl , A. Hans , 1998 . Dandy Dust . Austria . References Bey , Marquis . 2017 . “ The Trans*-ness of Blackness

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Objet A(ffect) and Che(www) Vuoi

The Fleshy Horror of the Unknowable Other in Spring and Honeymoon

Dewey Musante

Hollywood and Out . New York : Routledge . Filmography Benson , Justin and Aaron Moorhead . 2015 . Spring . USA . Fiennes , Sophie . 2009 . The Pervert’s Guide to Cinema . UK, Austria, and the Netherlands . Hitchcock , Alfred . 1958

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The Feel-Good Film

Genre Features and Emotional Rewards

Keyvan Sarkhosh and Winfried Menninghaus

, and video rental shops across Germany, Austria, and the German-speaking parts of Switzerland and Belgium. Notably, in German, the English term “feel-good film” is used interchangeably with the German label “Wohlfühlfilm” ( Strotmann 2015 ). Moreover

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Gal Raz, Giancarlo Valente, Michele Svanera, Sergio Benini, and András Bálint Kovács

Art historians of the early twentieth century already attributed a great importance to the fact that painters represent their subject matters from different apparent distances. The Austrian art historian Alois Riegl (1858–1905) was the first to

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Andrew J. Webber

Seven Dwarfs . USA . Deppe , Hans . 1951 . Grün ist die Heide (The Heath Is Green) . West Germany . Goldfinger , Arnon . 2011 . The Flat . Israel/Germany . Haneke , Michael . 2009 . Das weiße Band (The White Ribbon) . Germany/Austria

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Akkadia Ford

in ‘Boys Don’t Cry’: Looking at the Interplay of Narration and Narrative in Brandon’s ‘Exposure’ Scene .” Paper presented at the Karl-Franzens-Universitat GraZ , Austria .