, and I demonstrate this argument through an analysis of Nuri Bilge Ceylan’s Once Upon a Time in Anatolia (2011) , focusing on its use of mise-en-scène and temporality, and the ways in which it prompts a self-reflexive pondering of the nature of
, and I demonstrate this argument through an analysis of Nuri Bilge Ceylan’s Once Upon a Time in Anatolia (2011) , focusing on its use of mise-en-scène and temporality, and the ways in which it prompts a self-reflexive pondering of the nature of