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Reimagining Frankenstein

Otherness, Responsibility, and Visions of Future Technologies in Ahmed Saadawi's Frankenstein in Baghdad and Jeanette Winterson's Frankissstein

Amal Al Shamsi

duty” is muddled and he begins murdering innocents to stay alive. In Saadawi's investigation of responsibility, he asks whether Whatsitsname is inherently dangerous or merely living in a dangerous world, and whether the former can ever be exclusive of

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Visibility and Screen Politics after the Transgender Tipping Point

Wibke Straube

their articles. I am extremely grateful to those who tried, beyond the call of duty, to make it work—and to those who managed to finalize the now-published versions of their articles. I would like to thank the authors, Jess, Martin, Lara and Erin, for

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On Shock Therapy

Modernist Aesthetics and American Underground Film

William Solomon

in a related manner, “to train the speed of our perception—in defiance of all physiology—for the extreme requirements of a technical war” (2010: 152) . 11 For a related analysis of the first-person-shooter video game Call of Duty: Black Ops , see