, during and after the ‘Feast of the Sacrifice’ (4−7 October) in Istanbul and Khartoum, but also refers to other qualitative fieldwork and surveys. 7 Through the description of several ritual performances, the analysis of the social and spatial settings of
Animal Representations and Urban (Dis)orders during the ‘Feast of the Sacrifice’ in Istanbul and Khartoum
Alice Franck, Jean Gardin, and Olivier Givre
The Case of the Bostan of Kuzguncuk, Istanbul
Gezi Place, Istanbul, on the morning of 28 May 2013. Around 50 environmental activists are in a sit-in action protesting against the construction of a mall in the only green space left in the center of Istanbul: Gezi Park. Suddenly, they were
Constitutive Acts of the Subject in Gezi Park, Istanbul
Christopher Houston and Banu Senay
, internally shuffle-able array of possibilities” (ibid.: 363; emphasis in original). In this article we apply Humphrey’s ideas to the massive 2013 protests in Gezi Park, Istanbul, proposing that this be understood as an event situation that ruptured (many
Transnational Mobilities of Moroccan Middle-class Professionals in Istanbul
This article explores the ways Moroccan middle-class professionals residing in Istanbul have forged transnational connections since the 2006 free trade agreement between Turkey and Morocco. Based on ethnographic fieldwork, the article finds that research participants embrace three interdependent mobilities – imaginative, corporeal and virtual. First, Moroccan television viewers imaginatively internalise images of Turkish society through Turkish programmes broadcast in Morocco. Then, Moroccan nationals engage in physical travel to Turkey, initially as tourists, but later also as job seekers. Finally, Moroccan residents of Istanbul travel virtually to keep in touch with friends and family through media such as online platforms and instant messaging applications. In this article I argue that users of virtual environments have developed into new transnational brokers, facilitating the spatial extension of border-crossing networks.
The Istanbul Biennial (IB) editions, as cultural events for the wider region and the Middle East, are examined in this article with regard to their relevance for art and artists and their interactions with their host city. Biennials of contemporary art, as main exhibition events of the present, and the urban transformations of Istanbul form the context of the research. Biennials, including the IB, often address controversial topics. Accordingly, the discrepancy between the critical stance of curators and artists, as well as the uses that a Biennial is subjected to by various interest groups, has to be taken under scrutiny.
Shifting Sensitivities in Two Neighbourhood Spaces of Istanbul
The neighbourhood-based battles over norms and values in the ethnically diverse as well as sexual and gendered urban landscapes of the Istanbul neighbourhood (mahalle) spaces of Tophane and Kurtuluş reflect the complexity of the current political transformations that have been shaping Turkey as a whole and Istanbul in particular before and after the 15 July 2016 coup attempt. The analysis of the mahalle as the state’s margin reflects on how public moral talk, including the notion of ‘sensitivity’ (hassasiyet), reverberates in the making of public morality in both neighbourhood spaces. This article specifically focuses on the role of rumours in mediating ideas on behaviour deemed as in/appropriate in the mahalle as ‘moral territory’ and the mundane practices of self-appointed old and new ‘guards’ of the mahalle.
On Discovering Poems in Istanbul, Sarajevo, and Bratislava
This article discusses how poetry allowed a first-time traveler to three different cities to explore each place and his identity as a traveler. Focusing on Istanbul, Sarajevo, and Bratislava, the article describes the experience of using a poem the traveler finds in each city to serve as a guide to its spirit. By referring to issues related to anthropology, post-colonialism, politics, history, the social sciences, and cultural studies, this article discusses the transformation experienced by the traveler as a result of both a physical and inner journey.
Marching, Marketing and the Emergence of Gay Identities in Istanbul
The emergence of gay identities in Istanbul is often regarded as a practical result of mobilisation by minority sexual rights NGOs. Indeed, Istanbul Pride emerged in the early 2000s as a widely-referenced exemplar of the political promise of street-level activism in Turkey. Tracing how gay initially was used in the nightlife market around İstiklal Street and reconstructing the early history of agitation for an annual Pride march, I argue that street traders and small-scale entrepreneurs, not street-level campaigners, have played the critical role in prising open spaces where men could come to identify themselves and be identified as gay. Moreover, spaces afforded by particular fixed-place businesses in the nightlife market critically shaped the initial forms of political association involving gay men that were able to develop and consolidate in the city.
The São Paulo Biennial, the Biennale of Sydney, and the Istanbul Biennial
This article explores the continuing evolution of biennials, particularly those outside the traditional European/North American “centers”. From their early beginnings in Venice in 1895, biennials have become one of the most vital and visible sites for the production, distribution, and discussion of contemporary art. A “third wave” of biennials in the 1980s was part of a growing focus on a global “south”, and played a key role in redefining notions of center and periphery in the global contemporary art world. This article shows how the São Paulo, Sydney, and Istanbul biennials were part of these trends toward the “biennialization” of contemporary art, mass spectatorship, the interweaving of the global and the local, and the rise of a generation of nomadic curators and artists whose work exemplified these themes. It argues that the most recent editions of these biennials may reflect a further shift in the evolution of the biennial model: a possible fourth wave, where the biennial provides an international platform for local politics.
Jens Kreinath and Refika Sariönder
in both its constitutive parts and overall design, ranging from the modes of performance and participation to the intended audiences. As a response to different audiences in the environs of cities like Istanbul, there have been some collective