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Sharifah Aishah Osman

Sexual Assault in Young Adult Literature.” The Looking Glass: New Perspectives on Children's Literature 17 ( 3 ). Connell , Raewyn W. (1995) 2005 . Masculinities

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(Para)normalizing Rape Culture

Possession as Rape in Young Adult Paranormal Romance

Annika Herb

, Michael . ( 1996 ) 2010 . Young Adult Literature: From Romance to Realism . Chicago : ALA Editions . Cleveland , Erika , and E. Sybil Durand . 2014 . “ Critical Representations of Sexual Assault in Young Adult Literature .” The Looking Glass

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Steven Eastwood

-life contextual-gaze experience. We see a person looking and we deduce to who or what the look is directed. Sometimes we mistakenly react to a person as though they are looking at us when in fact they are not. Similarly, probability but not certainty of shot

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

makeup and clothing as incompatible with the look of the company, which is a cosmetics company. These distinctions are evident from the interview between Laisa and her brother's personal assistant throughout part of the eighth episode. Figure 3

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Andrew J. Webber

otherwise by her performances in casting. However, the look of the lead character helps to attach to the film the uncomfortable label of “beautiful,” as in the critical endorsement on the cover of the DVD: “A beautiful survival story, set against the dying