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Philip J. Hohle

redemption or their just punishment. As such, dispositions toward a character after each episode are considered to differ from those made of a hero at the end of a film. Of course, an anticipated desire for a film’s sequel may suspend some of these fixed

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Emma Celeste Bedor

pornography indeed does function as a transfer point of “knowledge, power, and pleasure”; however, I add that revenge pornography’s emergence is emblematic of a deeply neoliberal, post-feminist social milieu of punishment, humiliation, and public shaming

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successful, homosexual, revered, an artist—and yet there he labors under that same pathology: my own suffering will transmogrify me, I can enter the pantheon through my own will and self-punishment. That's what drew me to Mishima. The same kind of pathology

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Groped and Gutted

Hollywood's Hegemonic Reimagining of Counterculture

Samantha Eddy

ascertaining guilt … asserting control and subjecting the guilty person through punishment” ( Mulvey 1989: 811 ). In the slasher genre, the sexual objectification of women serves as a primer for the horrific and for the female sexual act as an invitation for

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A Structure of Antipathy

Constructing the Villain in Narrative Film

Jens Kjeldgaard-Christiansen

if it is to justify punishment. Uncontroversially, the legal system also considers the measure of suffering inflicted on the victim or victims: the harmful consequences. Physically assaulting someone is bad enough by itself, but worse if the victim

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Jane M. Kubiesa, Looi van Kessel, Frank Jacob, Robert Wood, and Paul Gordon Kramer

concentrates on early broadside ballads based on the tale. She demonstrates how sexual reproduction is read as textual reproduction and “the fraught dynamics of multiplication” (117) act as the site of unbound fecundity, infection, adultery, and punishment

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Beyond the Individual Body

Spinoza's Radical Enactivism and You Were Never Really Here

Francesco Sticchi

cathartic moment of appeasement or relief. The continuous suicidal fantasies and self-punishments relate to the pervasive suffering of the character and to the urgent need for an impossible and definitive release, leading to his final and most violent

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Anthony Enns

.” Folklore 110 : 13 – 24 . 10.1080/0015587X.1999.9715977 Carney , Phil . 2010 . “ Crime, Punishment and the Force of Photographic Spectacle .” In Framing Crime: Cultural Criminology and the Image , ed. Keith J. Hayward and Mike Presdee , 17

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

has not included a prohibition against or punishment of same-sex desires or acts. However, throughout part of the nineteenth century police edicts in cities such as in Buenos Aires contained ordinances against the public display of indecency, which