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Transition, Crisis and Nostalgia

Youth Masculinity and Postfeminism in Contemporary Hollywood, an Analysis of Superbad

Victoria Cann and Erica Horton

This article explores the representation of youth masculinity in contemporary Hollywood comedy. By focusing on the intersection of gender and generation, it emphasizes the importance of relationality in a consideration of representations of boyhood. Using Superbad as a case study, this article reveals the nuanced ways in which the crisis of masculinity is represented in popular culture in a postfeminist context. Foregrounding issues of homosociality in coming-of-age narratives, it emphasizes the tensions between generational expectations and performances of gender. Themes of loss and nostalgia are explored through analysis of the juxtaposition of adult and adolescent male characters in Superbad, providing insight into and understanding of the complexities of boyhood. Superbad is contextualized in relation to teen comedy more broadly, highlighting the important cultural space that contemporary Hollywood comedies play in (re)constructing discourses of masculinity.

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Feminism and Development

Building the Discipline or Politicising It?

David Lempert

Although initial contributions of Women's Studies to the field of Development Studies were to question existing concepts and assumptions and to offer new models and inclusive approaches, it appears that contemporary scholarship has shifted entirely (and even unapologetically) into political advocacy with little further in the way of social science or fresh critique and modelling. In Development Studies, Applied Anthropology and possibly in other subfields where gender concerns are presented in 'single-variable' or 'interest-group' perspectives, it may now be time to return to earlier goals through a depoliticisation of 'Feminist' and 'Women's' Studies, appropriately integrating 'Gender Studies' and concerns into subfields in ways that promote holistic advance of those fields. The essay uses two recent books with alternative examinations of feminism in developing societies – one on the area of 'development' and one on relations of two 'developed' countries, the U.S. and Russia – as springboards for a discussion of what has gone wrong and what can be changed in the sub-field of gender and Development Studies.

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Cute Girls, Tough Boys

Performing Gender in Algerian Manga

Alexandra Gueydan-Turek

This article explores the way in which masculinity and femininity are constructed in Algerian manga, an emerging, understudied sub-genre within the field of Algerian graphic art. Through the exploration of youth-oriented publications of shōjo and shōnen manga, I will demonstrate how these new local works offer a privileged form of expression for and platform to address disaffected Algerian youths. The primary focus of this investigation will be the differences (or lack thereof) between ideals of gender performances as expressed in Algerian manga and ideals of gender identity in society at large. This article will demonstrate that, while some differences manifest a desire for change on the part of both artists and readers, they certainly do not constitute radical revisions of the popular Algerian notions of masculinity and femininity. Ultimately, this study will demonstrate the limits of manga as an imported genre within an Arab-Islamic context, oscillating between the promulgation of alternative social ideals and the reinforcement of social norms.

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Women, Gender, Law, and Remembering Shona Kelly Wray

Linda E. Mitchell

This special issue combines articles derived from the same GMS conference held at Winchester in January 2014—this time focusing on issues of women, gender, and law—and articles derived from a meeting of the Mid- America Medieval Association (MAMA) held at the University of Missouri– Kansas City (UMKC) in April 2013, which was dedicated to the memory of the late Shona Kelly Wray, associate professor of history at UMKC, whose untimely and tragic death had occurred in the previous May.

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Edith Kauffer

[Full article is in Spanish]

English: Presently, international development organizations have adopted gender perspectives in all policy spheres as a transversal approach as a result of a process that has transited through different foci since the 1950s. Nonetheless, different studies have highlighted the fact that implementation is limited beyond the recurring discourses of governments, non-governmental organizations and funding agencies. We can speak of a discrepancy between rhetoric and practice around gender in development policies, a subject that lies on the edges of power. Furthermore, there is another discrepancy between policy analysis and a gender perspective, where we find little research that achieves a theoretical articulation between two traditions that somehow seem irreconcilable. This article aims to initiate a reflection on that which it identifies as a double discrepancy between gender and policies focused on the edges of power: the failure to integrate gender in development policies and the difficult theoretical articulation of gender within policy. Faced with this double discrepancy, the article proposes some points of convergence around an inclusion of power relations both as a goal of development policies and a policy analysis.

Spanish: En la actualidad, las instituciones internacionales de desarrollo han adoptado la perspectiva de género en las políticas públicas en todos los ámbitos a través de la noción de transversalización y como resultado de un proceso que transitó por diversos enfoques desde los años 1950. Sin embargo, diversos estudios han puesto en evidencia que su concreción es poco real más allá del discurso recurrente de gobiernos, organizaciones no gubernamentales y agencias de financiamiento. Podemos hablar de 34 Regions & Cohesion • Summer 2016 una discrepancia entre el discurso y la práctica del género en las políticas de desarrollo cuya problemática radica en las aristas del poder. Además, existe otra discrepancia entre el análisis de políticas públicas y la perspectiva de género, donde encontramos pocos trabajos que logran una articulación teórica entre dos tradiciones que parecen en cierto modos irreconciliables. Este artículo pretende iniciar una refl exión acerca de lo que se propone identifi car como un doble discrepancia entre género y políticas públicas centrada en las aristas del poder: el fracaso de la inserción del género en las políticas de desarrollo y la difícil articulación teórica entre género y políticas públicas. Ante esta doble discrepancia, propone algunos puntos de convergencia en torno a una inclusión de las relaciones de poder a la vez como objetivo de las políticas de desarrollo y en el análisis de las políticas públicas.

French: Les institutions internationales ont adopté à l’heure actuelle la perspective de genre dans tous les domaines des politiques publiques via la notion de transversalisation du genre qui est le résultat d’un processus qui a transité par diverses approches depuis les années 1950. Cependant, diverses études ont mis en évidence que sa concrétisation n’est guère réelle au-delà des discours récurrents des gouvernements, des organisations non gouvernementales et des agences de financement. Nous pouvons dès lors parler d’une divergence entre le discours et la pratique du genre dans les politiques de développement dont le choeur du problème réside dans les barbelés du pouvoir. De plus, il existe une autre divergence entre l’analyse des politiques publiques et la perspective de genre dans la mesure où nous trouvons peu de travaux qui proposent une articulation théorique entre deux traditions apparemment irréconciliables. Cet article prétend ouvrir une réfl exion sur cett e double divergence entre genre et politiques publiques centrée sur les barbelés du pouvoir et qui s’exprime par l’échec de l’insertion du genre dans les politiques de développement et par l’articulation diffi cile entre genre et politiques publiques. Face à cett e double divergence, la contribution propose quelques points de convergence autour d’une inclusion des relations de pouvoir en tant qu’objectifs des politiques de développement et dans l’analyse des politiques publiques.

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Gina Crivello

In this article I review concepts related to honour and shame and explore how these are understood within the context of the contemporary Moroccan Rif, a Berber-speaking region that is characterised by outsiders as closed and 'conservative', despite its long-established history of out-migration and transnational ties to Europe. The article argues that despite many changes to the political, economic and social landscapes of the Rif, understandings of honour and shame continue to shape gender hierarchies among Riffian Moroccans. As part of a broader system in which individuals negotiate status and respectability, honour and shame mediate relationships between individuals, families and 'honour groups' or moral communities in which they participate.

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Mary Evans

In debates about the admission of state school pupils to Oxbridge various individuals within those institutions have challenged the idea that universities should be vehicles of social change. At the same time, Oxbridge and other universities have accepted the responsibility of 'enabling' entrepreneurship and other market-led initiatives. I want to explore some of the implications of this position in terms of the making of the person in higher education and in particular the ways in which conservative refusals of the recognition of class, gender and race differences reinforce wider structural inequalities.

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Boys on the Outer

Themes in Male Engagement with Music

Scott Harrison

This paper examines the cause of exclusionary practices in music, documenting the core values that underpin this issue in relation to males’ engagement with music. The focus for the paper is on the way in which gender has been one of the primary principles for the exclusion of boys, based on presumptions without foundation except in the erroneous hegemonic stereotypical images that prevail in social institutions such as schools. Through historical investigation of philosophy and practice combined with results from interviews with participants, the study reveals experiences in relation to genderbased exclusion from music. It concludes by offering an insight into approaches that deal with addressing this issue.

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The Birth of a Field

Women's and Gender Studies in Central, Eastern and Southeastern Europe, Part II

Gorana Mlinarević, Lamija Kosović, Kornelia Slavova, Hana Hašková, Raili Põldsaar Marling, Theodossia-Soula Pavlidou, Irina Novikova, Laima Kreivytė, Katerina Kolozova, Serpil Sancar, Elif Ekin Akşit and Krassimira Daskalova

Women’s Movements and Gender Studies in Bosnia and Herzegovina Gorana Mlinarević and Lamija Kosović

The Beginnings of Gender Studies in Bulgarian Academia Kornelia Slavova

Establishing Gender Studies in Czech Society Hana Hašková

Out of The Room of One’s Own? Gender Studies in Estonia Raili Põldsaar Marling

Gender Studies at Greek Universities Theodossia-Soula Pavlidou

Gender Studies in Latvia: Development and Challenges Irina Novikova

Gender Studies in Lithuania Laima Kreivytė

On the Status of Gender Studies in Macedonia Today Katerina Kolozova

Women’s and Gender Studies in Turkey: From Developmentalist Modernist to Critical Feminist Serpil Sancar and Elif Ekin Akşit

“The City of Gender Studies” in Central, Eastern, and Southeastern Europe: Concluding Remarks Krassimira Daskalova

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Gust A. Yep, Sage E. Russo and Ryan M. Lescure

Offering a captivating exploration of seven-year-old Ludovic Fabre’s struggle against cultural expectations of normative boyhood masculinity, Alain Berliner’s blockbuster Ma Vie en Rose exposes the ways in which current sex and gender systems operate in cinematic representations of nonconforming gender identities. Using transing as our theoretical framework to investigate how gender is assembled and reassembled in and across other social categories such as age, we engage in a close reading of the film with a focus on Ludovic’s gender performance. Our analysis reveals three distinct but interrelated discourses—construction, correction, and narration—as the protagonist and Ludovic’s family and larger social circle attempt to work with, through, and against transgression of normative boyhood masculinity. We conclude by exploring the implications of transing boyhood gender performances.