This article takes the expressions of moral outrage in an illegal demonstration in Norway as a point of entry to explore how the political unfolds in Kurdish diasporic spaces. The premise for this analysis is that moral outrage among pro-Kurdish activists is an enduring, intergenerational process, the expression of which displays a multitemporality and multidirectionality. In order to explore the many layers of moral outrage this article proposes an analysis along the literature of political ritual and performance, which focuses on signification, symbolism, identity constructions, and the importance of audiences. I argue that Kurdish activists consciously perform their moral outrage to position themselves in relation to their host country, other Kurdish activists in Norway, and the larger transnational Kurdish community in Europe. As such, moral outrage turns out to be central in the enactment of Kurdish diaspora politics.
Kurdish Activists and Diaspora Politics
Masculinity, Maturity, and the Movies in the 1920s
Peter W. Lee
This article uses details of the personal and professional life of American screen actor Jackie Coogan to examine the social transition from boyhood into manhood during the 1920s. As Hollywood’s first child superstar, Coogan was given a haircut to make visual his maturation from his famed persona as an orphaned waif into a leading man. The haircut was also linked to larger concerns about the so-called flaming youth of the Lost Generation; what was known as Americanism; and identity construction for both child and parental roles. Unfortunately for Coogan, fans refused to accept his makeover; his screen persona in public memory contributed to the decline of his career while concurrently protecting the Kid from a vilified mother.
All scholarly fields feed on rhetoric of praise and criticism, mostly self-praise and self-criticism. Ethnology and folklore studies are not exceptions in this, regardless of whether they constitute a single field or two separate but related ones. This essay discusses questions concerning ethnological practice and object formation, cultural theory and the theory of tradition (or the lack thereof), cultural transmission, cultural representation, and the ethics and politics of cultural ownership and repatriation. It draws on general observations as well as on work in progress. The main concern is with a discursive move: from tradition to heritage, from the ethnography of repetition and replication to cultural relativist descriptions and prescriptions of identity construction and cultural policy, from ethnography as explanation to ethnography as representation and presentation. In addition, the essay seeks to delineate other underlying tenets that appear to constitute our traditions and heritages - both as strengths and as long-term constraints and biases. Where is ethnology headed in its quest to transcend theories and practices? Less theory and more practice? More theory on practice? Or more practice on theory?
The Practice of’sharing’ in a New Age Variant of Umbanda
(2003: 45) qualifies New Age “seekership” as a “reflexive institution,” Lindquist (1997: 48–49) and Pike (2001: 223–224) both point out the consistency of Neo-Pagan identity constructions and the issue of authenticity with the concept of’self ‘as a