This article explores French attitudes about race during and after the years of the National Front's breakthrough by looking at French films and film reviews on the topic of interracial couples. In a country in which antiracists have been reluctant to legitimize the concept of race by talking about it, but in which the far Right has made gains by proclaiming its own views on race, French film-makers in the 1980s and after broached the topic in numerous films, but they often did so in ways that avoided controversy or serious reflection on current French racism. French critics of both French and American films featuring interracial couples also sidestepped the most explosive issues, revealing a disinclination to discuss a troubling and divisive concept, but also a persistent belief that racism remained an American problem and obsession.
Views of Interracial Romance in French Films and Reviews since the 1980s
“L'Affaire des Quotas” and the Shattered “Image of 1998” in Twenty-First-Century France
Christopher S. Thompson
Since the mid-1990s, France's national soccer team has been given considerable significance in French debates about post-colonial immigration, national identity, republican citizenship, and the enduring legacies of French imperialism. This article explores the role played by representations of the team in those debates with a particular focus on the so-called “affaire des quotas” of 2010–2011. It argues that those representations reveal that the boundary between the purportedly inclusive civic nationalism of French republicanism according to which any person willing to embrace the duties and rights of democratic citizenship may theoretically become French, and the exclusionary ethnic nationalism of the xenophobic Front national is far less impermeable than is generally assumed in France. Indeed, race and ethnicity inform notions of French citizenship even among persons who reject the essentialist views of the Far Right.
The culture of class politics in contemporary Britain
This article explores the legal precedent of the case of Mandla versus Dowell-Lee (Mandla v Dowell-Lee 1983) to explain how the far right British National Party mobilizes ethnic strategies and specifically the category of “indigenous Britons,“ to turn post-colonial multiculturalism on its head and thereby disavow the realities of a post-industrial, multiracial working class in Britain. The article argues that the historical moment in contemporary Britain is characterized by a shift away from the politics of social class toward collective organization and sentiment based on ethnicity and cultural nationalism. Drawing on ethnographic and historical research, conducted between 1998 and 2000 on the post-industrial Docklands of Southeast London, the article explains an exceptional local area case study, which proves the rule about the growth in influence in the first decade of the twenty-first century of far-right politics in post-industrial urban areas of Britain.
The Empire Built
Christian Egander Skov
The article explores the concept of empire, or rige, in the context of a small nation-state with no immediate claim to imperial greatness and with a rooted self-understanding as anything but an empire. It does this by exploring the concept of empire in the far right movement Young Denmark on the basis of a close reading of their imperialist program in the pamphlet Danmark udslettes! from 1918. Rige had been a vague term for the larger Danish polity that originated in a pre-national conceptualization of the polity as a realm. The article suggests that rige-as-realm was translated by the radical right into a concept of empire. In the process it dramatically changed its emphasis, reorienting itself toward a "horizon of expectation". It became a politically loaded battle concept that then entailed a critique against the dominant liberal conceptualization of the polity and nation. Rige came to signify the ambition of being a great power, the spiritual elevation of the nation through the transcendence of the decaying liberal modernity. The program addressed the tension between a conservative political attitude and modernity and thus signified a kind of reactionary modernism that rejected liberal values while at the same time celebrating technology, industrialization, and the process of modernization.