Of the mid-twentieth-century European imperial powers, only the Netherlands experienced foreign occupation during World War II, followed soon after by the declaration of independence of the East Indies, its prized possession. I argue that the first series of events constituted a “cultural trauma,” and that, after May 1945, Dutch politicians and pundits viewed developments in Indonesia through this lens of wartime trauma. By the year's end, political actors had begun to interpret the recent metropolitan past and the developing Indonesian conflict according to the same rhetorical framework, emphasizing binaries such as “resistance versus collaboration.” While those on the political Left analogized the two conflicts in order to promote a negotiated settlement, their opponents hoped that, by refusing to recognize Sukarno's Republic of Indonesia, the Netherlands could avoid a second and perhaps even more damaging cultural trauma.
Dutch Political Culture and the Indonesian Question in 1945
Jennifer L. Foray
The Case of Yugoslavia in a Comparative Perspective
This article uses a comparative transnational model for a study of women’s resistance in Yugoslavia, with particular reference to the Independent State of Croatia. It challenges the dominant paradigm of active resistance in Hitler’s Europe as a largely masculine and military activity. Historians have long recognised the contribution of women to resistance in Yugoslavia; however, an ideologised and politically driven interpretation of wartime behaviour, combined with an overemphasis on active resistance, has militated against a nuanced approach towards the study of dissent in its diverse manifestations. This article proposes that a woman-centred focus on the social, everyday aspects of resistance is illuminating on definitions of and the preconditions necessary for successful resistance as well as on the subject of collaboration and conformism in the Second World War.
Contemporary Walking Collaborations in Landscape, Art and Poetry
Harriet Tarlo and Judith Tucker
our contemporaries, having discussed walking and collaboration with other artists and poets who work together, including the poet Frances Presley working with the artist Irma Irsara and with fellow-poet Tilla Brading, and the long-established walking
Katharina Hanel and Stefan Marschall
Facing linkage problems, parties in Germany have started to respond to a changing media environment by reforming their internal structures of opinion forming and decision making, inter alia reacting to the rise of the social web and the successes of the Pirate Party whose party organization is to a large extent “digitalized”. Whether and how established parties implement and adapt Internet tools, i.e., whether these could contribute to more participation of the “party on the ground” or whether they strengthen the “party in central office” is the focus of this article. The case study on the employment of an online platform for drafting a motion for the party convention of the German Social Democrats in December 2011 reveals that the “party in central office” controlled the online procedure as well as the processing of the results to a remarkable extent—thereby constraining the participatory potential of the tool. At the same time, the case study indicates a quality of online collaboration platforms that might limit the instrumentalization of these tools by the party elites in the long run and possibly re-empower the “party on the ground.”
Celebrating the Work of El Hadji Sy and Laboratoire AGIT'ART
The true meaning of collaborative contemporary arts practice is personified by El Hadji Sy (El Sy), the internationally renowned painter, curator and live performance installationist who – along with fellow Senegalese intellectual and activist Issa Samb and theatre director Yussufa John – founded the influential Dakar-based collective Laboratoire AGIT’ART.
Collaboration, consensus, and the social life of corporate social responsibility
In recent years transnational corporations have become major players in the development arena. The rise of corporate social responsibility (CSR) elevates corporations as leaders in a new orthodoxy of business-led development that promotes empowerment through “the market” as the panacea for global poverty. This vision has recruited support from disparate actors, turning combatants into collaborators. This article is based on thirteen months of multisited fieldwork, tracking the performance of CSR through the circuit of conventions and policy forums that constitute the social life of CSR. I argue that by claiming the confluence of doing good business and doing good, commitment to the market logic of maximisation is not only maintained, but endowed with a moral legitimacy and celebrated as the elusive win-win solution for which the development industry continues to search.
Grégory Dallemagne, Víctor del Arco, Ainhoa Montoya and Marta Pérez
This commentary seeks to engage the issue of 'impact' in social anthropology by scrutinising the topic of open access. Drawing on the discussions that took place at the international conference 'FAQs about Open Access: The Political Economy of Knowledge in Anthropology and Beyond', held in October 2014 in Madrid, we suggest that addressing the topic of open access allows a two-fold goal. On one hand, it elucidates that public debates about open access rely on a rather minimalist notion of openness that does not yield an adequate understanding of what is at stake in those debates. On the other, we argue that expanding the notion of openness does not only allow us to revisit the debate concerning what we do as academics, how we do it and what its value is, but also to do so going beyond current notions of 'impact' and 'public value' underpinned by the principle of economic efficiency in a context of increasingly reduced research funds.
In this special issue, we draw on our collaborative research as the Matsutake Worlds Research Group to explore the world-making dynamics of multispecies encounters. We center our exploration on matsutake, a gourmet mushroom eaten primarily in Japan. Drawing on cases from around the world, we suggest that the cosmopolitan worlds of matsutake cannot be accounted for by any single agent or individual set of cultural or political economic processes. Rather, we propose that contingent multispecies attunements and coordinations knit together the various world-making processes that allow matsutake to flourish. We use the notion of ‘elusiveness’ to capture these shifting dynamics of attraction, coordination, and elusion.
Postcolonial Intersections and Mobilities
The articles in this issue’s special section strike a balance of disciplines, geographical areas, scales, and seniority levels, and offer thought-provoking examples of studies of postcolonial intersectional locations of mobile people and ideas in Asia. This response seeks to tease out the potential avenues not only for future themes of research but also for innovative methods. It concludes with an invitation to better incorporate intersectionality into our research and acknowledge how it also plays out in our own positionality and understanding of mobility.
le double revirement de Camille Mauclair
The trajectory of the writer and critic Camille Mauclair (1872–1945) was marked by two ruptures: having begun his career within the internationalized avant-gardes, oriented toward Symbolism and Anarchism, he moved away from these circles at the turn of the century. Indeed, the crisis that Symbolism and Anarchism underwent during these years led Mauclair toward Neo-Classicism. To his new esthetic vision was added, during the Great War, a nationalist positioning that led him to virulent xenophobia in the interwar period. Foreign artists were henceforth denounced by Mauclair as being the cause of France's so-called cultural decadence. The turnaround in Mauclair's esthetic and political vision reflects the “return to order” tendencies that grew stronger in French culture from the end of the nineteenth century, attaining their summit during World War II. The propagation of these tendencies was largely due to the influence that the esthetic and ideological reflections of Charles Maurras exerted in intellectual circles.
French La trajectoire de l'écrivain et critique Camille Mauclair (1872–1945) fut marquée par deux ruptures: ayant commencé sa carrière au sein des avant-gardes internationalisées, orientées vers le symbolisme et l'anarchis me, il s'éloigna de ces milieux au tournant du siècle. En eff et, la crise subie par le symbolisme et l'anarchisme durant ces années amena Mauclair vers le néo-classicisme. À cette nouvelle vision esthétique s'ajouta, durant la Grande Guerre, un positionnement nationaliste qui déboucha, dans l'entre-deux-guerres, sur une xénophobie virulente. Dès lors, les artistes étrangers furent étiquetés par Mauclair comme les responsables d'une prétendue décadence culturelle de la France. Le revirement esthétique et politique de Mauclair reflète les tendances de “retour à l'ordre,” qui se renforçaient dans la culture française depuis la fin du dix-neuvième siècle et atteignirent leur sommet durant la Seconde Guerre mondiale. La propagation de ces tendances était due, en grande partie, à l'influence que la réflexion esthétique et idéologique de Charles Maurras exerçait dans les milieux intellectuels.