Concentrating on Ellen Wood's Parkwater, a little-known New Monthly Magazine serial, this article attempts to complicate the long-standing construction of Wood as a 'quiet sensationalist'. It argues that Wood's serial was self-consciously appealing to the New Monthly's male readers and thus incorporated scenes and details of a surprisingly graphic nature. At the same time, the article situates the narrative within the context of a new commodity culture, as well as the 1857 murder trial of Madeleine Smith, suggesting that Wood's exploration of deceptive femininity resonates with current events in a particularly insistent manner.
Reading and Deceptive Femininity in Ellen Wood's Parkwater (1857)
Janice M. Allan
Hysteria, Masculinity, and Marriage in Florence Marryat's Nelly Brooke
In 1868 Florence Marryat published Nelly Brooke: A Homely Tale, ostensibly a novel full of classic sensation themes: illegitimacy, love, seduction, addiction, and a murder of sorts. More interestingly, however, the novel also plays with nineteenth-century gender expectations and ideas current in medical and scientific discourse. This essay explores the representations of male hysteria and the demonised man of science which this novel depicts. These themes, contained within a hugely satisfying sensation plot, are also offset against the plight of the fortuneless woman in the nineteenth-century marriage market.
James E. Young
The question as to why a national monument to the “Murdered Jews
of Europe” should be erected in Berlin is multi-dimensional, and has
answers in political, cultural, and historical contexts. As most people
already know, I once took a hard stand against actually ever completing
a central memorial in Germany to the Holocaust. “Better a
thousand years of Holocaust memorial competitions in Germany
than any final solution to Germany’s Holocaust memorial problem,”
I wrote many years ago. “Instead of a fixed icon for Holocaust memory
in Germany, the debate itself—perpetually unresolved amid everchanging
conditions—might now be enshrined.”
Gustavo Lins Ribiero and Arturo Escobar, eds., World Anthropologies: Disciplinary Transformations within Systems of Power David G. Anderson
Juhani Nourluoto, ed., The Slavicization of the Russian North Lenore A. Grenoble
Andrew A. Gentes, Exile, Murder and Madness in Siberia, 1823-61 Anna Bara
Harvard Ayers, Dave Harman, and Landon Pennington, Arctic Gardens: Voices from an Abundant Land Jennifer Fagen
Kuklick, Henrika, ed., A New History of Anthropology David G. Anderson
Laurence C. Smith, The World in 2050: Four Forces Shaping Civilization's Northern Future Alex Blake
Andrzej Weber and Hugh McKenzie, eds., Prehistoric Foragers of the Cis-Baikal, Siberia. Proceedings of the First Conference of the Baikal Archaeology Project Dennis H. O'Rourke
Books Received for Review
Carnal Mourning under the Specter of Senselessness
Alice von Bieberstein
This article charts political and affective responses to and transformations engendered by what has been widely considered a defining moment in the recent history of Turkey, namely, the murder of the Armenian editor and journalist Hrant Dink on 19 January 2007. In this analysis, the question of time and temporality is approached from a threefold perspective: the availability of and engagement with temporal discourses that provide schemes for relating time, loss, and value; mourning as a form of laboring on and in time; and activism as a sphere of practice where responses to loss can be reworked with a view to possibly reformulating hopes and promises.
From Souvenirs obscurs to Lieu de mémoire
Pierre Goldman was born to Jewish resisters in France in June 1944 and lived with the inability to match his parents' achievements during the war. Although a secondary figure in soixante-huitard movements, his trials for murder in the early 1970s made him a central figure in post-soixante-huitard activists' reflections on their situation. This essay examines Goldman's sui generis efforts to establish his identity as a resister and a Jew, his central role in his generation's attempts to define their relationship to the society they wished to change, and his place in the succeeding generation's efforts to differentiate themselves from the generation of their parents, Goldman's generation.
An Interview with Morvandiau
Ann Miller and Morvandiau
This interview with political cartoonist and comics artist Morvandiau focuses mainly on his 2007 comic book D'Algérie. After the murder in 1994 of his Uncle Jean, a père blanc ['white father'] in Tizi Ouzou, along with three of his fellow priests, followed by the failed suicide of his father, a Pied-noir, eight years later, Morvandiau decided to carry out research into his family and its links with France's colonial adventure. Through the resources of the comic art medium, he was able to give form to a story which is both personal and public (Figures 1-2). The subtle and sober portrayal of his search for identity is contextualised by a highly absorbing panorama of political events. In the interview, he explains some of the aesthetic choices that he made, and discusses the challenges of working from documentary material, and how he drew on the resources of the medium to tackle issues of individual and collective identity.
Love suicide was a situation lavishly employed by playwrights in early modern England. We generally regard as tragic heroes the dramatic starcrossed lovers who kill themselves onstage and we see their death as the sensationally pathetic climax of the play. On the other hand, in Elizabethan and early Stuart society, suicide, or, as it was called, ‘self-slaughter’ or ‘self-murder’, was considered both as a crime and as one of the most dreadful sins a Christian could possibly commit. I would suggest that the tension between these two conflicting views on suicide had a relevant emotional impact on the audiences to whom these plays were originally addressed. In order to prove this, I wish to analyse in particular domestic plays which stage the range of responses elicited within a community that has to cope with the suicide of one of its members.
Claudia Mitchell and Jacqueline Reid-Walsh
We take the title of our editorial introduction to this themed issue of Girlhood Studies from Sandrina de Finney’s lead article in which she explores “alternative conceptualizations of trauma, place, and girlhood that might enact a more critical, politicized girlhood studies.” Contributions to this issue offer what the guest editors refer to as a re-description of girls in crisis. In so doing not only do they offer challenges to definitions of crisis, they also deepen our understanding of what transformative practices might look like. From a consideration of Indigenous girlhood in Canada to a study of country girls in Australia, from work on YouTube to Holloback! and other social media platforms to girls’ digital representations of their own safety, and from changes in newspaper discourse about murdered girls to a consideration of work done with incarcerated girls, we are invited to re-think this notion of girls-in-crisis, and its significance.
The Shafia Young Women as Worthy Victims
This article focuses on the coverage of the murders of the young Shafia women. Based on an analysis of the coverage published in The Globe and Mail (July 2009 to March 2012), I argue that the young women were constructed as exceptional and worthy victims of a particularly heinous crime—honor killing—allegedly imported from Afghanistan by the Shafia patriarch. I interrogate the different threads that were interwoven to construct these young women's representations to make them intelligible as girls and young women. Within the coverage, the trope of culture clash anchored in an Orientalist framing worked to consolidate their representations as worthy victims and re-inscribe the national imaginary of Canadian society as egalitarian, tolerant and beyond gender violence. These different maneuvers served to accomplish a kind of posthumous rescue in a domestic context akin to the strategies of rescue implemented by Western powers in the War on Terror to save Afghan women.