Since Aspasia’s home is in Budapest, I will begin by evoking my love affair with that city. But ‘love affair’ is not exactly the right phrase, for my affective ties to Budapest are more of the familial than the erotic variety: born and raised there until the age of ten, I am a daughter of the captivating lady on the Danube. Budapest, in my imagining, is female, perhaps because it is so closely associated with my mother; not for nothing did I subtitle my book Budapest Diary: In Search of the Motherbook.
Feminism for History
Susan Rubin Suleiman
Elaine J. O'Quinn
Younger, Beth. 2009. Learning Curves: Body Image and Female Sexuality in Young Adult Literature. Scarecrow Studies in Young Adult Literature, No. 35. Lanham, Maryland: The Scarecrow Press, Inc.
Most young females, particularly in Western contexts, are all too familiar with the traditional structure of the love story: the female protagonist embarks on a journey that ultimately leads her to fulfil her romantic goal of uniting with the male object of her desire. Throughout the history of Western society and beyond, this discourse has been prevalent in many mass media outlets, pervading the content of movies, television, and novels aimed at entertaining young adult females. In this classic narrative, women are presented as being dependent on males for their personal happiness. Whether this narrative is explicitly presented or camouflaged by an intricate storyline involving a seemingly strong and independent female character, this ubiquitous depiction of women in the mainstream media cannot be ignored.
Dilemmas in Rural Mexico
Julia E. Murphy
Feminist promotion of gender equity in development began in the 1970s, challenging development policy and practice and producing a rich body of debate and scholarship. Feminist anthropologists, through scholarship and activism, made important contributions to the project of reforming development. A recent anthropological critique of development, however, referred to as the anthropology of 'development', has raised important questions about anthropology's relationship to development, presenting new challenges to feminist anthropologists who would engage with development. This new approach, despite its attention to power, has not had questions about gender at its centre. Drawing on fieldwork in southeastern Campeche, Mexico, this paper explores challenges of a feminist anthropology of 'development', including pressures for engagement and disengagement, and the apparent contradiction between reflexive critiques of, and feminist engagements with, development.
Jennifer Anne Boittin, Christina Firpo and Emily Musil Church
This article looks at French Indochina, metropolitan France, and French West Africa from 1914 through 1946 to illustrate specific ways in which French colonial authority operated across the French empire. We look at how colonized people challenged the complex formal and informal hierarchies of race, class, and gender that French administrators and colonizers sought to impose upon them. We argue that both the French imperial prerogatives and colonized peoples' responses to them are revealed through directly comparing and contrasting various locales across the empire. Our case studies explore interracial families and single white women seeking compensation from the French in Indochina, black men de ning their masculinity, and Africans debating women's suffrage rights.
Some Pitfalls in a Development Consultancy
What does it mean to do engaged anthropology? How is it different from that which is disengaged? Does it mean being some kind of activist or advocate? Is it a form of 'action research'? More pertinently for the purposes of this article, are anthropologists who do consultancies also 'engaged'? This article discusses what happened when in 2003 I accepted an invitation from a Scandinavian women's organisation to go to Tanzania the following year and take part in an evaluation of the women's group they had been funding. Here I consider not only some of the perhaps inevitable pitfalls, contradictions and difficulties of carrying out such a consultancy but also the extent to which anthropologists themselves are part of the encounter and thus inevitably part of the material of fieldwork. It is shown that being an engaged anthropologist is a risky business before, during and after such projects. This does not mean that engagement should be avoided, and indeed such a stance may provide exceptional insights which one of greater detachment might miss.
(Queer) Girls’ Adolescence, Risk, and Subjectivity in Blue is the Warmest Color
This article explores the graphic representation of queer adolescent sexuality on offer in the coming-of-age graphic novel Blue is the Warmest Color. This representation, read alongside object relations psychoanalysis and in terms of feminist sexuality education theorizing, invites adult readers to reconsider the ways in which we think of the relationship between girls, risk, and sexuality. I propose that in order to honor girls’ sexual subjectivity, we must treat romantic risk-taking as an ordinary, healthy and essential aspect of growing up.
Testimony and Solidarity in Egyptian Women's Blogs
Much has been written about the role the internet played during the Arab uprisings of 2011, with particular attention paid to social media, whether Facebook, Twitter or blogging, and the extent to which it contributed to organizing the mass protests. Another recurring theme of the analysis of the uprisings was the role played by women, with Western media in particular emphasizing their contributions and debating whether this marked a pronounced increase in women’s agency. My article seeks to respond to these issues through an analysis of two Egyptian women’s blogs. Instead of contributing to the well-known debate about the internet’s capabilities for facilitating action, I examine how blogs observe resistance, exploring this through notions of digital testimony and autobiography. I then consider the issue of solidarity and whether this is gendered, which is an important issue to consider in light of the focus placed on women’s roles during the protests. Ultimately I aim to demonstrate that these Egyptian women’s blogs offer us new and productive ways of thinking about the role the internet played during the Arab uprisings and the autobiographical act, leading us to acknowledge the complexities of both solidarity and articulations of selfhood.
With roots in the transformation of France during and after the Algerian War, the opposition by the farmers of Larzac and their largely urban allies throughout France to the expansion of a military camp into their lands is an emblematic event in the broad 1968 stretching a decade on either side of that year. It was particularly significant at Larzac, where a community of resistance remains today. Drawing on progressive Catholic thought and a new representation of the paysan, the conflict resonated in a France negotiating the terrain of a post-colonial era, a new relationship between the rural and the urban, and the feminist expectations of many supporters.
Female AutobioBD and Julie Doucet's Changements d'adresses
In comparison to the U.S. market, the trend for autobiographical sequential art arrived late within the history of the francophone bande dessinée. Its rising popularity throughout the 1990s and into the new millennium coincided, and to an extent connected, with another belated development in the French-language industry however: that of the growing presence of the female artist. This article considers the strong presence of life narratives in bandes dessinées created by women, before presenting a case-study examining the manipulation of the medium to an autobiographical end in Québécoise artist Julie Doucet's 1998 Changements d'adresses ['Changes of Addresses']. It considers how, in this coming-of-age narrative set first in Montreal and then New York, Doucet utilises the formal specificity of the bande dessinée to emphasise both the fragmentation and then reintegration of her hybrid enunciating instances. It further examines Doucet's usage of the life-narrative bande dessinée to oppose her representation from that of the disruptive male figures in her life, whose sexual presence in her personal evolution is often connected to images of dysfunction and death, finally suggesting via this examination of Julie Doucet and Changements d'adresses the particular suitability of female-created life narratives to feminist reappropriations of the francophone bande dessinée.