As one of the most stereotyped minorities, the Roma are particularly ‘good to think’ in relation to constructions of Europeanness. In the production of ‘Gypsiness’, the body, the space, and the materiality of the dwelling are linked through smell as signifiers of a racial and cultural inferiority that does not ‘belong’ in and to Europe. Drawing on research projects carried out in the outskirts of Rome and in a small Romanian town, our contribution relies on a juxtaposed ethnography of constructions of ‘Gypsiness’ in relation to the spatial, sensorial and material inscriptions of the body. The article will examine the relationship between space and the social production of smell, discussing how spaces inhabited by Roma play a role in ‘doing’ Europeanness in a contrastive mode.
Spatialities and Materialities of ‘Gypsiness’
Andreea Racleș and Ana Ivasiuc
The Politics of Monuments
This text looks at the function of monuments and to some extent architecture in the public space. It focuses especially on those countries that have undergone sweeping historical changes, such as Romania, Germany, and Russia, while attempting to convey not only the historical and cultural information but the very personal, physical sensations of the encounter a human being might have when in the proximity of monuments and spaces. The images are 360 degree surround photography, where the photographer's location constituted the very center of the image, thus making the photographer's subjectivity the invisible monument of the seemingly documentary image.
Ireland’s transition from a predominantly rural to a (sub)urban society over the course of the twentieth century coincided with fundamental changes in its socio-cultural and environmental fabric (Corcoran et al. 2007; Moore and Scott 2005; Punch 2004).1 In particular, the recent suburbanization of many Irish towns and cities has raised interesting questions about the spatial organization of human social life. How important is public space for democratic participation? What kinds of spaces do people require to engage with others, or to get involved in community activities? Can we use spatial resources more sustainably and, if so, what are the consequences of such a transition for public and private spaces?
A Focus on the French Setting
The hypothesis developed in the paper is that the relation between race and space, under-explored in philosophy, is a powerful theoretical instrument for understanding racial injustices and can be used to renew racial categorisation in a more critical, transformative manner. It argues that only constructivism, in its 'interactive constructionism' version (Hacking 1999), can make sense of both concepts in a relevant way for political theory, and provide a general critical frame to study the relation between both concepts, thereby replying to the powerful arguments of racial scepticism. After specifying what such a position entails for the 'race' concept, the paper argues that 'space', itself conceived in a constructionist perspective, is a core element of current referents of 'race' in our folk conceptions. It shows that France, despite its pretence of racial blindness, is not a counter-example, but rather reinforces the hypothesis. Hence, space should be more thoroughly reinvestigated at an epistemological and theoretical level in exploring our racial thinking.
Spatial Tropes in the Kinship Narratives of an Extended Family Network in Oman
This study calls for a reintegration of space and relatedness in anthropological theories of social formation. It is based on the examination of spatial tropes in the kinship narratives and discursive practices of an extended Swahili-speaking family network historically located between Oman and coastal East Africa.
Curating between Medicine, Life and Art
This article considers a curiosity-driven approach to curating focused on material culture that visitors encounter in physical spaces. Drawing on research into historical curiosity cabinets, it explores how a contemporary notion of curiosity has been put into practice in the new breed of culturally enlightened museums exploring interdisciplinary approaches to medicine, health, life, and art. Based on an inaugural professorial address at Copenhagen University, it reflects on exhibition projects there and at the Wellcome Collection in London. Museums are institutional machines that generate social understanding from material things. Their physical spaces influence how we learn, think, and feel in public; their material collections feed our comprehension, imagination, and emotions; and induce attentive behavior in curators and visitors.
An Urban Journey into Violence and Back
A strange contradiction haunts the urban experience of Ahmedabad, a city strongly divided along class and communal lines. The city's Sabarmati river is traversed by seven modern bridges, which, instead of being a solution to the problem of separation, have assumed its very form. In ordinary life, as well as during extraordinary events, residents of the city use these bridges not only to span space and gain access to the other half of the city, but also to escape and confine, project and expiate, and even to remain hidden while in full view. This article describes experiences of separation in Ahmedabad and how these experiences become expressed in reference to its bridges. In other words, urban structures, intended to overcome physical space and represent the modern promise of connectivity, become, instead, embodiments of division.
Small-scale Traders, Urban Transformation and Spatial Reconfiguration in Post-reform Vietnam
Kirsten W. Endres
This article examines some of the ruptures and contestations that have emerged in the context of urban restructuring and market redevelopment policies in Hanoi, Vietnam. Public markets have become sites of contestation and struggle over the commoditization and use of public urban space: large plots of state-owned real estate in the inner city are handed over to private investment companies for development, in the process of which small-scale traders are losing their means of economic survival in the marketplace. These forms of accumulation by dispossession likewise reflect processes of social and spatial reconfiguration that exclude the urban poor and other 'uncivilized' subjects from public visibility by creating up-scaled spaces of lifestyle and consumption for the newly emerging classes of high-end consumers. Such processes of dispossession are gendered and impact on different kinds of traders in different ways.
Recollections of an Intercultural Wanderer
Taking Park's postulate of a 'marginal man' as its starting point, this essay reviews some of the key ideas and approaches that have underpinned the development of the Anthropological Journal of European Cultures from its inception. It concentrates on a discussion of the concept of 'cultures' - liminal, hybrid or otherwise - in different contexts and from different perspectives - boundaries and frontiers, places and spaces, migrants and memory - before turning towards the question of what and where Europe is, and what anthropology might have to say on it, concluding with reflections on AJEC's past, present and future contribution. An appendix provides details of the first twenty-one volumes of the journal.
Understanding Mobilities in a Dangerous World
Gail Adams-Hutcheson, Holly Thorpe and Catharine Coleborne
The mobilities framework offers a particularly informative and potent paradigm through which to draw together interdisciplinary scholarship about the present world. In this introduction—and indeed, derived from a symposia on mobilities in a dangerous world—we explore the dynamics of contemporary mobilities through a critical focus on “dangerous” spaces and places. We discuss the potential of a sustained dialogue between mobilities studies and our focus on risk, adversity, and perceptions of danger. Although disasters link to four of the articles, ideas are expanded to draw on the multiple scales of risk and danger in everyday life within and across an array of international contexts. In this special issue, dynamic mobilities are facilitated by ships, skateboards, buildings, art, and cities; they are also encountered in darkness, in light, and through bodies as well as physical and imagined movements.