In mid-1970s Spain, many new satirical magazines featured a strong political stance opposing Francisco Franco’s regime and in favour of democracy. Magazines with a significant amount of comics-based content constituted a space for political and social critics, as humour allowed them to go further than other media. However, legal authorities tried to censor and punish them. This article analyses the relationship between the Spanish satirical press and censorship and focuses on the difficulties their publishers and authors encountered in expressing their criticism of the country’s social changes. Various cartoonists have been interviewed, and archival research carried out. In-depth analysis of the magazines’ contents is used to gain an overview of a political and social period in recent Spanish history, in which the satirical press uniquely tackled several issues.
A Battle That Raged during the Spanish Transition
Envisioning Ethnography—Exploring the Meanings of the Visual in Research
Visual images are ubiquitous which, inevitably, is part of their appeal and their difficulty. As is the case with all sensory experience, the process of sight becomes naturalized for us, and it is easy to forget that how we interpret what we see is historically and culturally specific (Banks 2001). Similarly, the representations of what we see are influenced by our historical and cultural perspectives. In the forms of photographs, video, film, and new electronic media, these representations increasingly and apparently, often unproblematically, play a central role in the work of researchers, not just from anthropology, but also from a range of disciplines. As part of a broader ethnographic methodology, photography, film, and video have now been embraced by anthropology, sociologists, cultural studies, media studies, geographers, and other social scientists. The visual images are present in the form of cultural texts or they represent aspects of ethnographic knowledge and methodological tools. They can exist as the basis for the sites of social interaction amongst the informants or between the researcher and the researched. They can take the form of pre-existing images, such as television programs or contemporary or archival photographs and films (Banks 2001). It is hardly surprising, then, that visual images have become so important to the ethnographic endeavor. Yet, as Mac- Dougall laments above, relatively little has been written about how best to analyze and interpret the visual images, not only in anthropology, but indeed, in all of the social sciences.
The Chicano Gang Stereotype in Sociohistoric Context
In this brief research note, the author uses a sociohistoric lens to examine selected films that have employed the cholo, or Chicano gang member, stereotype. He finds that the cholo is a prevalent archetype of Mexican and Mexican American youth. The author argues that the depiction of the cholo as a hypermasculine, abject personage threatening the social order converges with how actual Latino youth are constructed in sociopolitical and media discourses—as both marginalized young men and migrants unworthy of membership in U.S. society.
Its Importance and Implications for Policy and Practice in Pakistan
M. Sajjad Abro
A seminar on ‘Anthropology: Its Importance and Implications for Policy and Practice’ was collaboratively organised by the Department of Anthropology and Archaeology, in the University of Sindh in Pakistan, and Anthropology in Action (Figure 1). The event was also supported by the civil society organisations Al-Mehran Rural Development Organization (AMRDO) and Dev-Con. The objective of the event was to create awareness among the public and the media regarding the importance and scope of anthropology and how anthropologists can better design social policies and interventions that have limited negative unintended consequences. The speakers were academic and practicing anthropologists who delivered lectures based on their personal extensive encounters with development in Pakistan.
Study of Slovenian Transition
Contemporary political rituals have been a neglected topic in Slovenian ethnology and anthropology. This article presents celebrations of Slovenian statehood in the period of transition - from 1991 to the present - which were being organised in the Republic Square (Trg Republike) and cultural centre Cankarjev dom in Ljubljana, and have been outlining the components of Slovenian political mythology and offering solutions for the new national future. The analysis is focused on the holders of political, cultural and media systems. It attempts to disclose the significance and use of the concept of intercultural dialogue in contemporary Slovenian society by exploring the relationship between ritual and its social background.
The article is based on ethnographic fieldwork in two field sites in Oslo, Norway, that involved a sample of sixty-seven children. I discuss how ten year-old girls do gender and romance in the light of “junior” and “senior” (hetero)sexuality in the social context of romance. Considering the Norwegian media's worry concerning a presumed sexualization of childhood and the disappearance of childhood, I describe in detail what happens between partners in what is known as a going-out-with-relationship. These relationships, primarily characterized by play and not by physical intimacy, illustrate that sexual innocence in childhood still exists.
Digital Archives and Memory Production
How can the online distribution of heritage facilitate successful forms of collective online memory production? Two online archives from India are taken as case studies to analyze practices that make online archives effective as devices for recalling and constructing the Indian past. It is not only contextual conditions of the Internet age, but also particular applied practices of presenting, communicating, and using social media that enable it. Yet, the analysis of the two recently created online archives, which are partially driven by the idea of widening access, show that they do not so much set up counterpositions to established conceptions of archives as regulating entities, but rather aim at becoming acknowledged heritage agents.
Creating a Counter Discourse
The idea of devoting a special issue of Girlhood Studies to what Jonathan Bock (2012) calls technologies of nonviolence comes at a critical time in girlhood studies. On the one hand, technology—especially digital technology— and various social media platforms are firmly entrenched in the everyday lives of many young people around the world. On the other, questions regarding who has access to technology and how technology is used and abused continue to dominate the fields of girlhood studies in particular and of youth studies more broadly.
Marco Giuliani and Erik Jones
The year 2009 was a period of uncertainty, during which the Italian
political world appeared to be floundering and in need of a compass.
As evidenced by the chronological overview, many events continued
to beleaguer the political and social life in Italy. Some, such as the
result of the European elections and the escalation of the economic
crisis and its repercussions, were foreseen or, in any case, predictable.
Others, including the numerous scandals and irregularities that
tarnished the political year, continuously feeding the mass media with
distractions and nurturing the public debate with less then edifying
themes, were less expected.
Berlin 1948 and the longest airlift in history simultaneously ushered
in the Cold War, with a divided Berlin its best-known symbol, and
transformed West Berliners in the eyes of the Allied world from
Nazis to victims of Soviet aggression. By 1950, with Germany officially
divided, political elites of the East (GDR) and West (FRG)
took up the task of convincing their citizens and each other of the
legitimacy of their own governments. In spite of the primacy of
Cold War rhetoric in the media of the day, however, the most
pressing challenge of postwar society for both sides lay in redefining—
in perception, if not in fact—political and social institutions in
opposition to the Nazi past.