Ten years after launching the Journal of Educational Media, Memory, and Society (JEMMS) in 2009, it seems appropriate to look back and assess the journal’s achievements, review its purpose, and address prospects for the coming years. As the only journal of its kind dedicated to the dissemination of international educational media research in the humanities, JEMMS has provided a platform for authors from sixteen countries on seven continents, including Chile, South Africa, Macedonia, and China.
AIDS, South Africa and the Politics of Knowledge by Jeremy R. Youde Mandisa Mbali
Clausewitz’s Puzzle: The Political Theory of War by Andreas Herberg-Rothe Deane-Peter Baker
History of Madness by Michel Foucault, edited by Jean Khalfa and translated by Jonathan Murphy and Jean Khalfa Roger Deacon
Psychiatric Power: Lectures at the Collège de France, 1973-1974 by Michel Foucault, edited by Jacques Lagrange and translated by Graham Burchell Roger Deacon
Fixing Men: Sex, Birth Control, and AIDS in Mexico, Contemporary South Africa, by Matthew Gutmann Marc Epprecht
The Political Philosophy of Needs, by Lawrence Hamilton David James
Foucault, Psychology and the Analytics of Power, by Derek Hook Grahame Hayes
Rethinking Multiculturalism: Cultural Diversity and Political Theory, 2nd edition, by Bhikhu Parekh Joleen Steyn-Kotze
The Plot to Kill God: Findings from the Soviet Experiment in Secularization, by Paul Froese Gerald West
Welcome to the Postmodern Melancholy of Gordimer's Post-Apartheid World
Raymond Chandler used to say that whenever he got stuck writing a novel he would get going again by having a character come through the door with a gun in hand. Reading the opening pages of Nadine Gordimer’s new novel with its account of a sensational murder, one might wonder whether South Africa’s 1991 Nobel laureate, faced with the end of apartheid and the consequent lack of a subject, was operating according to Chandler’s principle. The House Gun, however, indicates not so much the lack of a subject as a new way of looking at an old subject facing new circumstances – the old subject being the psychological and material effects of white racism on whites, the new circumstances being those of post-apartheid South Africa. Moreover, the apparent narrowing of focus from the macropolitics of Gordimer’s three most recent preceding novels, None to Accompany Me (1994), My Son’s Story (1990), and A Sport of Nature (1987), to the micro-politics of The House Gun suggests that we can read South Africa’s transition to full democracy as a paradigmatic change from a modern to a postmodern condition. Gordimer’s post- 1994 publications, and The House Gun in particular, lend themselves to being read as illustrative of two of Michel Foucault’s central insights: the ubiquity of power, and the consequent idea that given that ubiquity, care of one’s self (‘souci de soi’) becomes a new kind of political obligation.
Jean Comaroff, Peter Geschiere, Kamari M. Clarke and Adeline Masquelier
Colonial frontiers, we have long been told, put conventional categories at risk. I grew up on one such frontier, itself an anachronism in the late-twentieth-century world—apartheid South Africa, where many of the key terms of liberal modernity were scandalously, publically violated. Religion was one of them. Some have argued that the act of separating the sacred from the secular is the founding gesture of liberal modern state making (Asad 2003: 13). In this, South Africa was a flagrant exception. There, the line between faith and politics was always overtly contested, always palpably porous. Faith-based arguments were central to politics at its most pragmatic, to competing claims of sovereignty and citizenship, to debates about the nature of civilization or the content of school curricula. As a settler colony, South Africa had long experimented with ways to ‘modernize racial domination’ (Adam 1971) in the interests of capitalist production, frequently with appeals to theology. After 1948, in contrast with the spirit of a decolonizing world, the country fell under the sway of Afrikaner rulers of overtly Calvinist bent. They set about formalizing a racial division of labor that ensured that black populations, the Children of Ham, remained economically subservient and politically marginal.
The Perspective, Location and Agency of Theory in South African Cultural Studies
In an interview with David Attwell, recorded in 1993 at the School of Criticism and Theory at Dartmouth College New Hampshire, Homi Bhabha turns his liminal gaze to the fate of South Africa. His position, that of “an outsider … a bystander and consumer of the media” (Attwell 1993: 109), invokes a reading of the state of the nation and its cultural predicament which, nine years hence, remains compelling. What is particularly striking about the conversation, conducted at a geographical remove during a charged historical time when South Africa forges what will prove to be an on-going process of disinterring itself from a legacy of oppression, is Bhabha’s eschewal of a saving telos and his insistence on turning and returning to “the semiosis of the moment of transition” (1993: 104). For Bhabha this moment is not the Gramscian interregnum between two distinct states of governance. Rather, his conception subsumes the notion of two distinct states as well as Antonio Gramsci’s conception of the moment between as the emergent locus for a symptomatic morbidity. Here Bhabha diverges from the perception of those within South Africa for whom the interregnum has served as a prevailing trope, most notably Nadine Gordimer in The Essential Gesture: Writing, Politics and Places (1988: 262) and Michael Chapman in Southern African Literatures (1996: 327-331). Rather, between the renunciation of a past and the proleptic fulfilment of a future, Bhabha proffers a more enabling conception of the moment of transition; one which, having “overcome the given grounds of opposition … opens up a space of translation: a place of hybridity, figuratively speaking, where the construction of a political object that is new, neither the one nor the other, properly alienates our political expectation, and changes, as it must, the very forms of our recognition of the moment of politics” (Bhabha 1994: 25).
Acting Up on Science and Immigration in France
Michael J. Bosia
From a postcolonial left that challenges the French state over immigration policy and neoliberal globalization, Act Up has advocated for the social and political rights and needs of women, inmates, drug users, and immigrants with HIV/AIDS. This essay examines as well Act Up's engagement with science and globalization in response to new experimental medical trials in the Global South. Act Up's emphasis on local empowerment against global economic and social actors has earned criticism from American and South African AIDS activists, but at the same time these campaigns stress the universalist impulse imbedded in the Act Up brand of French Republican politics.
Mark Twain's Following the Equator and Pandita Ramabai's The Peoples of the United States
Mark Twain's Following the Equator (1897), a narrative of a journey to the South Pacific, Australia, South Asia, and South Africa, has occupied a small but significant space in the consideration of Twain's wider career as both a travel writer and social critic. Twain's work has not, however, been considered in conjunction with the works of later nineteenth-century South Asian travelers in North America. The present article puts Twain's discussion of India and Ceylon (present-day Sri Lanka) in dialogue with Indian scholar and women's rights activist Pandita Ramabai's 1889 travelogue The Peoples of the United States.
Zoe Bray and Christian Thauer
In this article, we explore how corporate social responsibility may serve to mitigate the confl ict between the utopia that many people—particularly those from underprivileged backgrounds in emerging markets states—associate with globalization and, on the other hand, the detrimental effect this globalization often actually has both on the quality of life of people and on the environment. Empirical data is drawn from field research on firm and local community relations in South Africa and China. We consider the extent to which corporate social responsibility may be a means to move beyond both utopian hopes and the dystopian reality of globalization.
This article proposes that Rick Turner needs to be considered as a theologian as well as a philosopher. It examines the sources behind his ‘religious’ writings, notably The Eye of the Needle, to understand the theological world view he had imbibed before he wrote it. It then looks at how he framed the book theologically and how theology informs the whole text. In light of this, its similarity with roughly contemporary works of liberation theology, and the way it anticipated currents within the subsequent church engagement in the anti-apartheid struggle, the proposal is made that he should be called a South African theologian.