This paper draws on the work of E. P. Thompson to understand anticapitalist resistance in northern California in the 1960s and 1970s. Through an analysis of the back-to-the-land movement in a region I call “Claytown,” I show how the making of a rural moral economy was in part enabled by the presence of a nascent marijuana industry. However, whereas a relatively small-scale marijuana industry helped forge anticapitalist resistance in the 1960s and 1970s, this industry has become a form through which values of capitalist political economy are being instantiated and reasserted. I situate my ethnographic analysis within a broader historical and legal framework to show how a contemporary moral economy is made and increasingly unmade in the context of late capitalism.
The making and unmaking of a rural moral economy
Indigenous Resurgence, Decolonization, and Movements for Environmental Justice
In multiple sites across the world, Indigenous peoples are leading political and social movements for environmental justice. In Indigenous North America, the Standing Rock Sioux Tribe spearheaded the resistance against the Dakota Access Pipeline and
Rethinking Girls' Resistance and Agency in Postcolonial Contexts
In this article I explore the performance art of international hip-hop artist M.I.A. to interrogate the problematic of girls' resistance and agency within a global youthscape. Using a feminist transnational framework, I analyze how her music and celebrity persona may be considered gendered post-colonial cultural productions that highlight issues of inequality, violence and domination. I argue that M.I.A.'s cultural productions serve as pedagogical symbolic resources for theorizing girlhood in post-colonial contexts specifically around issues of sexuality. As a symbolic resource, M.I.A.'s work is pedagogical in the larger global youthscape as well as in scholarship on girls in post-colonial contexts. Specifically, M.I.A. (in her music and interviews) openly wrestles with the embodied tensions between complicity and possibility in post-colonial girlhood. Consistent with a feminist transnational framework, I argue that the identities of “Third World” girls are discursively produced as innocent yet hypersexualized exotic Others in the service and/or mercy of “First World” colonial men and women. However, M.I.A. makes explicit that within the context of globalization, the cultural politics of gender and sexuality take place on/through/with brown female bodies—whether it is in the battlefield, the street or in the bedroom. A close analysis M.I.A.'s song 10 Dollar illustrates how Third World girls exercise resistance and agency in negotiating imperialist and nationalist heteropatriarchy.
The Reclaiming of Girls’ Education Discourses in Malala Yousafzai’s Autobiography
2009: 22 ). If, as Gilmore and Marshall state, “How women of color use autobiography to talk back to the construction of the permanently vulnerable girl is an important and yet undertheorized area of feminist resistance” (2010: 668), then how girls of
Art as a Healthy Virus within Social Strategies of Resistance
The Egnatia Road project describes a cooperative action between European artists and local populations along the ancient route from Rome to Constantinople. Focusing on myths and memories of territorial and metaphorical displacement over centuries, it represents a space of resistance realized in narrative and physical action. The process of constructing the road engages artistic activism and local communities in creating a participatory cultural product. Begun as a road trip to the Balkans, the research in history, storytelling, and half-forgotten traditions has resulted in the creation of mobile laboratories and events involving a range of people and experiences. The ongoing intention has been to produce paving stones recording the personal and communal experiences of people along the road. As an exercise in public art, the project has raised new questions and insights into the nature of popular dissent and the role of art in giving it a voice in wider venues and situations.
Historiography, Memory, and the Evolution of Le Silence de la mer, 1942-2012
Among the best-selling French literary works of the twentieth century, Vercors' novella has enjoyed an exceptionally rich afterlife thanks to numerous print editions as well as several influential stage and screen adaptations: Jean-Pierre Melville's 1947 feature film, Jean Mercure's 1949 play, Vercors' own 1978 theatrical rendering, and a 2004 television movie written by Anne Giafferi and directed by Pierre Boutron. Taking a comparative approach that weighs the aesthetic and ideological priorities of these authors and directors alongside shifts in historiography and French political culture, this article traces the evolution of Le Silence de la mer as a contested site of national memory and a means of negotiating the ethically-charged concepts of collaboration and resistance.
Exploring Conceptualizations of Decolonial Love in Settler States
In this article, I weave together connections between notions of decoloniality and love while considering implications for decolonial praxis by racialized people settled on Indigenous lands. Through a community-based research project exploring land and body sovereignty in settler contexts, I engaged with Indigenous and racialized girls, young women, 2-Spirit, and queer-identified young adults to create artwork and land-based expressions of resistance, resurgence, and wellbeing focusing on decolonial love. Building on literature from Indigenous, decolonizing, feminist, and post-colonial studies, I unpack the ways in which decolonial love is constructed and engaged in by young Indigenous and racialized people as they navigate experiences of racism, sexism, cultural assimilation, and other intersecting forms of marginalization inherent in colonial rule. I uphold these diverse perspectives as integral components in developing more nuanced and situated understandings of the power of decolonial love in the everyday lives of Indigenous and racialized young peoples and communities.
Sexual Performativity and Gender Dissidence in Dickens's Dombey and Son
This essay considers some of the implications of a critical turn from a concern with a 'political technology of the body' in the Foucauldian sense to one with embodied micropractices. I will contend here that a critique of social experiences that is conceptualised through attention to individualised, or intersubjective, corporeal practices, is necessarily limited. A critical focus on the affective or performative self potentially colludes with a political agenda that privileges the bourgeois concept of individuality over that of collectivity, and performative micropractices over the transformation of social relationships on a structural level. This article approaches these issues by investigating two forms of sexual deviance, enacted by the figures of Paul and Edith Dombey, in Dombey and Son - a text that explores the problematic of nineteenthcentury gender-specific discipline and resistance, but also a narrative that points to the conceptual limitations resulting from individualised notions of embodiment and embodied resistance. I will suggest that this novel codes Paul and Edith's resistance to Dombey's regime of gender-discipline as specifically physical and sexualised forms of deviance.
Dutch Political Culture and the Indonesian Question in 1945
Jennifer L. Foray
Of the mid-twentieth-century European imperial powers, only the Netherlands experienced foreign occupation during World War II, followed soon after by the declaration of independence of the East Indies, its prized possession. I argue that the first series of events constituted a “cultural trauma,” and that, after May 1945, Dutch politicians and pundits viewed developments in Indonesia through this lens of wartime trauma. By the year's end, political actors had begun to interpret the recent metropolitan past and the developing Indonesian conflict according to the same rhetorical framework, emphasizing binaries such as “resistance versus collaboration.” While those on the political Left analogized the two conflicts in order to promote a negotiated settlement, their opponents hoped that, by refusing to recognize Sukarno's Republic of Indonesia, the Netherlands could avoid a second and perhaps even more damaging cultural trauma.
Women's Experience of the Holodomor, 1932–1933
Although the tragedy of the Holodomor (the Great Famine) of 1932 and 1933 figures prominently in public discourse and historical scholarship in Ukraine today, its gender dimension has not yet been examined. This article is based on an analysis of personal narratives of female survivors of the Holodomor, collected and published in Ukraine since the 1990s until now. It focuses on the peculiarities of women's experience of the Holodomor and explores women's strategies of resistance and survival in the harsh circumstances of genocide. It exposes a spectrum of women's agency at the grassroots and illuminates controversies around women's ways of coping with starvation. The article also discusses the methodological challenges and ethical issues faced by a Ukrainian female scholar studying women's experiences of famine.