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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

and Women’s Private Parts nevertheless share a common mission to give Hong Kong women the agency to assert their sexual citizenship and to occupy the territory’s screens with their own sexual representations, dreams, and desires. Commenting on what

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Linda Howell, Ryan Bell, Laura Helen Marks, Jennifer L. Lieberman and Joseph Christopher Schaub

seemingly disparate subjects as historical literature, film, homelessness, neoliberalism, anti-Semitism, citizenship, postcolonial blogging, and fat studies. Notably, Bollmer binds these areas of inquiry together by arguing against the presumption of

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Situating Screen Bodies

Brian Bergen-Aurand

.” Comparing and contrasting these two filmmakers by way of these two films, Marchetti demonstrates how “a vision of women’s sexuality emerges that highlights Hong Kong women’s struggle for full sexual citizenship” in a territory itself now marked by semi

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

ways I see Black people asserting their significance outside of commoditized survival-oriented citizenship. I see the representations being created by marginalized communities directly challenging depictions in mainstream and medical media that