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Brian Bergen-Aurand

As this issue of Screen Bodies went into production, the 2016 Democratic National Convention in Philadelphia, Pennsylvania, was concluding, and Vogue published a short online piece on Hillary Clinton’s sartorial choices for her acceptance speech

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Falling Apart Together

On Viewing Ali Atassi’s Our Terrible Country from Beirut

Ira Allen

international actors complicit in transforming a democratic revolution into the multilateral proxy war that Syria’s civil war has today become. And yet Atassi’s Our Terrible Country remains uniquely Syrian in its organization of possibilities and

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Catalin Brylla and Mette Kramer

confined in terms of form, production, and spectatorship to the current heterogeneous array of popular and democratic audiovisual nonfiction genres consumed (but also to a large degree produced) by a mass society. Studying documentary from a cognitive