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Pascal Wallisch and Jake Alden Whritner

produced movie achieves much higher synchronization between viewers than footage of unstructured scenes ( Hasson et al. 2008 ). This is also reflected in the intersubjective synchronization of brain activity ( Hasson et al. 2004 , 2009), particularly in the

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Catalin Brylla and Mette Kramer

frameworks as well as institutional practices. This mapping relates not only to the study of audiences, but also to the study of filmmakers and their practices. He considers documentary reception as an intersubjective mediation of reality involving a

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Brendan Rooney, Hanna Kubicka, Carl Plantinga, James Kendrick, and Johannes Riis

, Practice, and Spectatorship (2014), Jane Stadler’s Pulling Focus: Intersubjective Experience, Narrative Film, and Ethics (2008), and Lisa Downing and Libby Saxton’s Film and Ethics: Foreclosed Encounters (2010) may signal a determination to reach

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Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey

intersubjective comprehension, which helps us to navigate the increasingly changeful social world. Humanism is a contested term and the book is not clearly aligned with a particular tradition of thought; however, Moss-Wellington is influenced by the work of Edward

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Wyatt Moss-Wellington

University Press . Stadler , Jane . 2008 . Pulling Focus: Intersubjective Experience, Narrative Film, and Ethics . New York : Continuum . 10.5040/9781628928891 Stark , Evan . 2007 . Coercive Control: How Men Entrap Women in Personal Life . New York

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How Many Emotions Does Film Studies Need?

A Phenomenological Proposal

Julian Hanich

is the goal of their analyses: to reveal invariant structures of experience that are intersubjectively accessible and are thus open for correction and control ( Gallagher and Zahavi 2012, 28 ). Like in any other scholarship, if the phenomenological

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“The physical anxiety of the form itself”

A Haptic Reading of Phil Solomon’s Experimental Films

Hava Aldouby

identification with a diegetic character. Film viewing is thus conceived as a venue for dynamic intersubjective communication, involving the spectator, the film, and the maker. 3 In this article I highlight haptic apparatuses at work in Solomon’s films. Beyond

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Naturalizing Aesthetic Experience

The Role of (Liberated) Embodied Simulation

Vittorio Gallese

” (2017: 63). Seventeen years ago, when introducing the “shared manifold” hypothesis of intersubjectivity, I made a similar proposal to operationalize the investigation of intersubjectivity and social cognition according to three levels of description

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Robert Sinnerbrink and Matthew Cipa

bringing these perspectives together, Yacavone constructs a “three-dimensional” concept of film worlds that encompasses their objective, subjective, and intersubjective aspects. This avoids the main failing of most attempts to conceptualize film worlds: the

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“Mind the Gap”

Between Movies and Mind, Affective Neuroscience, and the Philosophy of Film

Jane Stadler

cinema audience perceives through technology (as one sees through a clear lens) and perceives along with the technology (intersubjectively perceiving what the camera “sees,” what the microphone “hears,” and what the projector “expresses,” as though