The ‘honour-shame syndrome’ is an anthropological model originally developed in the sixties to describe Mediterranean cultural unity. The model came under heavy criticism, producing a veritable ‘anti-Mediterraneanist’ backlash. There is, however, a renewed interest in the regional paradigm. This article attempts an analysis of concepts of ‘honour’ in Malta, contextualising it within the broader ethnographic and linguistic evidence from the region. The author argues that ‘honour’ is a salient moral concept, and in fact, Maltese has a rich and highly nuanced discourse of honour, which includes both sexualised and nonsexualised aspects. While the author criticises the simplistic ‘honour-shame syndrome’ paradigm, he argues that honour needs to be considered in its own right as an important key to analysing the contemporary Maltese moral economy as it engages with ‘modernity’.
Paradigms of Honour in a Mediterranean Moral Economy
The European Adventurer Meets the Colonial Other
The Tintin and Corto Maltese series are among the most famous European adventure comics. The adventure genre – both in novels and comics – is deeply related to nineteenth-century colonialism. This article compares the ways in which colonialism and the relationship to the colonial Other appear in Hergé’s and Pratt’s creations, focusing on Tintin and Corto Maltese’s adventures in Africa and Latin America. The comparison between Tintin and Corto shows that although Hergé developed an ambivalent view of European colonialism, Eurocentrism is constant through all his work. Pratt’s Corto, in contrast, shows a more critical, though ambiguous, view of colonialism, and a more egalitarian, though also ambivalent, conceptualisation of the colonial Other.
Déjà vu in the South
Jon P. Mitchell
For good reasons, anthropology some decades ago deconstructed the Mediterraneanist picture of familialist societies in the South. However, this deconstruction unexpectedly had its political twin in Malta’s fight against corruption to meet the conditions for EU-membership in 2004. Drawing on a deeper concept of “territoriality”, introduced by anthropologist Ina-Maria Greverus, the article considers lately observed new variants of nationalist positions that paradoxically are deeply entwined with clientelistic dynamics against the state, culminating in the recent murder of critical journalist Daphne Caruana Galizia.
As preparations get under way for the celebration, in 2009, of the eightieth anniversary of Tintin and the fiftieth of Astérix, it seems strange that, until now, there has been no journal in English dedicated to European comic art. In France recent Astérix albums have outsold Harry Potter and The Da Vinci Code put together. The movie Astérix aux jeux olympiques [‘Asterix at the Olympic Games’], released on 13 January 2008, is one of the two most expensive French film productions of all time (with Le Cinquième élément [‘The Fifth Element’], on which cartoonists Jean Giraud and Jean-Claude Mézières collaborated), and has topped box office charts in Spain. Like Astérix in Paris, Belgian Schtroumpfs [‘Smurfs’] have their own theme park, and Italy’s Corto Maltese is popular enough to appear on scratchcards, Swatch watches and TV programmes across Europe.
Ritualised Empathy on the Doorstep of Heaven
This article explores the miracles and ex-votos (votive offerings) associated with the Ta' Pinu shrine on Gozo, Malta's northernmost island. Drawing from ethnographic data, analysis of various personal accounts, and observations of people's interactions with the bricolage of Ta' Pinu ex-votos, I seek to show that Gozitans perform a highly personal yet ritualised form of empathy in the context of miracle worship. The miracles associated with Ta' Pinu are thus seemingly 'contagious' and meaningful, because they elicit existential connections and reflections on the nature of supplication and Gozitan social relations.
Matthew Screech, Susan Slyomovics, Armelle Blin-Rolland and Ana Merino
early 1970s postutopia zeitgeist, as both a ‘betrayal’ of Crumb’s ideological horizon and a historically and sociologically situated translation. Philippe Bourdier’s study of Pascal Morelli’s 2002 Corto Maltese: La Cour secrète des arcanes follows a
Stanbury, [Untitled editors’ note], Escape 4 (1984), 1. 4 The recent anglophone republication of Hugo Pratt’s Corto Maltese may be taken as a positive sign in this regard. Perhaps the archival market is ready for more international reprints. However
but a still from The Maltese Falcon (John Huston, 1941) does, confuses or deliberately obfuscates the terms of relation. A still from Bambi is an index of whatever was in front of the camera at the time when the still was made as much as a still
German Reactions to Brexit
current 508 million people, do not have Germany as a top trade partner, but only two (Ireland and Malta) do not have Germany as one of the top three trade partners. It is germane to add that Germany is by far the largest net contributor to the eu budget
Public Education and Settler Identity in the Early Third Republic
their roots to Spain, Italy, or Malta, rather than France, while colonial officials continued to bemoan the drunkenness, licentiousness, and overall spirit of insubordination in the settler community in general. 4 Although officials had long recognized