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Peter Lurie, Antonio Sanna, Hansen Hsu, Ella Houston and Kristof van Baarle

—and still is—immediately identifiable. Most importantly, many of the director’s collaborators are mentioned and their subjective contributions are accounted for, from the scriptwriter for the facetious and carnivalesque prologues and epilogues of the TV show

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

its revolutionary revenge theme. A click of the mouse transforms the white-haired girl into the Western bride and back again. The biracial businesswoman Nicole toys with various clichéd images of mainland Chinese communism in a carnivalesque cutup of