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Elemental Imagination and Film Experience

Climate Change and the Cinematic Ethics of Immersive Filmworlds

Ludo de Roo

In an age of ecological disasters and increasing environmental crisis, the experience of any cinematic fiction has an intrinsic ethical potential to reorient the spectator’s awareness of the ecological environment. The main argument is that the spectator’s sensory-affective and emphatically involving experience of cinema is essentially rooted in what I call “elemental imagination.” This is to say, first, that the spectator becomes phenomenologically immersed with the projected filmworld by a cinematic expression of the elemental world, and second, much like there is no filmworld without landscapes, the foundational aspect of elements are revealed as preceding and sustaining the narrative and symbolic layers of film experience. While suggesting the existential-ethical potential of this fundamental process of film experience, the second aim of this article is to show that this form of elemental imagination complements more mainstream “environmentalist” films, such as climate change documentaries and blockbuster apocalyptic genre films.

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A Compassionate Look

Ryan Schowen

of closure. From the ravages of war, to climate change, to gender norms and expectations, to global migration and cultural integration, the exhibit explores the multifaceted concerns that preoccupy young Iranians today. Ali Tajik’s uplifting series

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Margrethe Bruun Vaage and Gabriella Blasi

“Emotions of Consequences? Viewing Eco-documentaries from a Cognitive Perspective” explores the hypothesis that eco-documentaries and fiction films dealing with issues of climate change elicit similar responses in viewers. In contrast to Dirk Eitzen

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What Does It Mean to Be an Ecological Filmmaker?

Knut Erik Jensen’s Work as Eco-Auteur

Mette Hjort

” ( Maxwell and Miller 2012: 271–272 ). Given the increasingly convergent views of scientists regarding the anthropogenic nature of climate change, as well as its threats and likely consequences, the time for ecologically minded filmmaking has surely come