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On Shock Therapy

Modernist Aesthetics and American Underground Film

William Solomon

did in silent screen comedies of the Keystone variety, in a “collision, everything smashed to a pulp” (96). Consequently, “there has to be a law, a chain, a symbolic order, the intervention of the order of speech, that is, of the father. … The order

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Disrupted PECMA Flows

A Cognitive Approach to the Experience of Narrative Complexity in Film

Veerle Ros and Miklós Kiss

realms of (post)modern literature and art cinema. From the various types and degrees of nonlinearity in Pulp Fiction (Quentin Tarantino, 1994), Edge of Tomorrow (Doug Liman, 2014), and Arrival (Denis Villeneuve, 2016), through the multiply embedded