the metal stereotype, the exact replica used for printing. Since many stereotypes could be cast from the original plate, numerous presses could churn out identical pages. 4 The use of stereotypes and the development of mechanized steam-driven presses
A Comedic Film between History and Memory
French bourgeois. As Rabine noted, Pivert was himself a stereotype. The Mythical Bourgeois The film historian Jean-Pierre Jeancolas lamented that the cinematic season of 1973–1974 confirmed one truth about French cinema: comedy was “a dead genre.” 36 The
Controlling Colonial Migrants in Interwar France and Senegal
Johann Le Guelte
This article examines the politics of interwar colonial identification practices put into place by the French colonial state in order to curtail the mobility of colonial (im)migrants. I argue that photography was used as a tool of imperial control in both French West Africa (AOF) and metropolitan France, since colonial men’s inability to provide the required photographic portraits often prevented them from moving around the empire. In response, colonial subjects appropriated photography in alternative ways to subvert these administrative restrictions. Moreover, they took advantage of metropolitan racial stereotypes to contest Western identification practices.
Tzvetan Todorov, On Human Diversity: Nationalism, Racism, and Exoticism in French Thought (Cambridge, MA: Harvard University Press, 1993)
Sue Peabody, “There Are No Slaves in France”: The Political Culture of Race and Slavery in the Ancien Régime (New York and Oxford: Oxford University Press, 1996)
Patricia M. E. Lorcin, Imperial Identities: Stereotyping, Prejudice and Race in Colonial Algeria (London and New York: I.B. Tauris, 1995)
Maxim Silverman, Deconstructing the Nation: Immigration, Racism and Citizenship in Modern France (London and New York: Routledge, 1992)
A Generation in the Making
In the spring of 2000, the Financial Times eagerly predicted that the world would be piloted by a new global generation of managers who, having been educated at business schools, share similar ideas and values.1 To this generation belong managers in start-up companies that provide goods and services online. These e-managers work with and on the Internet, which reaches worldwide instantly and redefines our concepts of time and place. Since emanagers have the whole world as their “playground,” they are likely to replace traditional nation-based feelings of belonging with new values and identities. French magazines went even further than the Financial Times, stating that since e-managers speak English and have adopted the American way of doing business, they would eventually Americanize French society.2 Or, rather, e-managers would turn France into a society that mirrored the stereotypes of American society that have been prevalent in France.
This essay is an intimate account of my encounter with Aimé Césaire. I first met him in high school. I was seventeen years old, and I had never read any work comparable to his Notebook of a Return to the Native Land. That book left me confused. The more I read the less I understood. A student in lettres modernes at Université Charles De Gaulle, I became tormented by identity issues. My years in France introduced me to racism, to an other who observed me without seeing me—between us centuries of violence, stereotypes, misunderstanding, unrequited love, unresolved conflict, unshared suffering. How do you get rid of the cutting glance that murders the Promise of Tomorrow? Césaire gave me an answer to that question.
Virtuous Racism and the War of the Sexes in Postcolonial France
Twentieth-century France invented for itself an "exception" that successfully preserved the French culture industry. Postcolonial France is experiencing another "French exception" that renders a "virtuous racism" commonplace and legitimates the discrimination that expresses this racism by identifying the undesirable "new French" as scapegoat figures. Four gender-specific stereotypes strengthen the belief that there is a form of sexism exclusive to the segregated neighborhoods of the suburbs that are inhabited primarily by French people of immigrant and colonial descent. Associated with the central figure of the garçon arabe are the beurette, the veiled Muslim French woman, and the secular Muslim. The article argues that the model of abstract, universalist France has become one of a fundamentalist republicanism that plays diverse expressions of otherness and singular identities off of one another in order to preserve a soft regime of oppression.
Why do the French appear as incorrigible anti-Americans? Why is France singled out as a bastion of systematic opposition to US policies? Anti-Americanism can be defined as an unfavorable predisposition towards the United States, which leads individuals to interpret American actions through pre-existing views and negative stereotypes, irrespectively of the facts. It is based on a belief that there is something fundamentally wrong at the essence of what is America. This unfavorable predisposition manifests itself in beliefs, attitudes and rhetoric, which may or may not affect political behavior. Is France, according to this definition, anti-American? It is difficult in practice to distinguish between genuine anti-Americanism (disposition) and genuine criticism of the United States (opinion). It is partly because of this definitional ambiguity that France appears more anti-American than its European partners. While it is not clear that the French have a stronger negative predisposition against the US, they do have stronger opinions about America for at least three main reasons: the deep reservoir of anti-American arguments accumulated over the centuries; the simultaneous coexistence of a variety of types of anti-Americanism; and the costless ways in which anti-Americanism has been used for political benefit. This article explores each of these three features in turn, before discussing briefly the consequences of French anti-Americanism on world politics.
petite critique de la raison journalistique
, dans l’éternel. Hartley va écrire un pseudo-reportage, fait de stéréotypes que ses lecteurs américains attendent. Grand principe et grand péril du journalisme : le lecteur est roi, il faut lui donner ce qu’il veut, et, à la limite, tant pis pour la
Writing about Islamic terrorism from a Sartrean perspective, Maria Russo rightly argues that there is the all-too-common danger of falling into stereotypical thinking. Yet, as Slavoj Žižek remarks, terroristic violence, and by implication any