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Making Sense of the Remote Areas

Films and Stories from a Tundra Village

Petia Mankova

last section, I present the stories before ending with a discussion of the politics of storytelling and affect. Remoteness, Films, and Sentimental Pessimism The village is often defined in the media as otdalenka , a diminutive of “remote area,” and can

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Topographies of the Possible

Creating Situations and Spaces of a City's Counter-narrative

Laila Huber

This article explores the creation of new structures of participation and counter imaginaries within the city between the poles of arts and politics. On the basis of two case studies, one situated in the non-institutionalised artistic field and one in the non-institutionalised political field, I will explore narratives of a 'topography of the possible' in the city of Salzburg. Aiming to outline collage pieces of a topography of the possible and of counter-narrative in and of the city – the city is looked at in terms of collage, understood as overlapping layers of the three spatial dimensions materiality (physical space), sociability (social space) and the imaginary (symbolic space). These are understood as differing but interrelated spatial dimensions, each one unfolding forms of collective appropriation of a city. The focus lies on the creation of social relations and collective imaginaries on the micro-level of cultural and political self-organised initiatives, looked at under terms of narration and storytelling. My ethnographic project asks for the creative potentiality of a city and for the creative power of social relations and collective imaginaries.

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The Life of the Death of 'The Fighting Fairy Woman of Bodmin'

Storytelling around the Museum of Witchcraft

Helen Cornish

The skeleton of Joan Wytte, or the Fighting Fairy Woman of Bodmin, was displayed in the Museum of Witchcraft in Cornwall in the UK for several decades until her eventual burial in nearby woodland in the autumn of 1999. Her story has been deployed as a critical historical source and a demonstrable link between Cornwall and magical histories. It is well established that the past is recorded and represented through narratives, artefacts and events in multiple and diverse ways, and museums are often idealised sites for historical knowledge. Historicity is contingent on current needs and agendas, and often contested. Through retelling over time certain elements are highlighted or downplayed. Since the burial, the life and death of Joan Wytte has become vividly invested with new meanings as her story becomes incorporated into the landscapes of folklore, Cornish histories and magical practices.

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Erika Golz

Genre differentiation is possible by external factors (function, communicative situation) and internal factors (grammar, theme). As the external factors for all 18 texts of the corpus are the same, the article relies on internal factors. The cohesive means of genre identification in this corpus are recurrence, time structure, connectivity, grounding, and lexis. The peculiarity of Koriak genre differentiation consists in a preponderance of narrative structures, which are characterized by a sequential time line with passages in scenic present tense and structures of a theme with a following exemplification.

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'I Listen to the Soundtrack and I'm Back There in the Day'

Impacts of Performing Memory in Northern Ireland

Magdalena Weiglhofer

This article addresses the function of public presentations of personal memory in a post-conflict context and explores whether they may contribute to a preservation of that conflict. In particular, it examines the reception of performed memories of violence and its aftermath by audiences who have lived through similar experiences. To do this, it will discuss observations from empirical research on a verbatim theatre production in Northern Ireland, Heroes with Their Hands in the Air, that used interviews with relatives of those killed or wounded in an incident that came to be known as 'Bloody Sunday'. Drawing on the responses to the stories portrayed, it argues that, although such performative re-enactment of memory may contribute to an affirmation of collective identity and thus to preserving boundaries, it allows a community of memory to examine past events of suffering and explore impacts that reach into the present.

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Seals and mountain spirits

Making tri-lingual folktale books

Kira Van Deusen

For political and economic reasons, oral storytelling has lagged behind other art forms in the Siberian cultural revival. The deep spiritual philosophy found in ancient tales can clarify and unite viable approaches to today's political, artistic and ecological concerns. Since most Siberian indigenous languages are considered to be threatened, if not almost extinct, and since languages are basic to stories, perhaps revival of storytelling can facilitate initiatives to preserve language. This article looks briefly at storytelling and language during the Soviet period and the first decade after, and describes two tri-lingual folktale book projects undertaken in collaboration with Udeghe and Khakassian folklorists and cultural activists.

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Helen Hundley, Peter Jordon, Alexander D. King, Victor L. Mote and Kathryn Pinnick

David Schimmelpenninck van der Oye, Toward the Rising Sun. Russian Ideologies of Empire and the Path to War with Japan (Dekalb, Ill.: Northern University Press, 2001) 329pp. £31.95 (hb); $42.00 (hb) ISBN 0-87580-276-1 (hb)

Anna Reid, The Shaman’s Coat: A Native History of Siberia (London: Weidenfeld and Nicolson, 2002) 226pp. £20.00 (hb). ISBN 0-2976-4377-0 (hb)

Kira Van Deusen, Raven and the Rock: Storytelling in Chukotka (Seattle: University of Washington Press, 1999) 216pp. £20? (hb) ISBN 0-295-97841-4 (hb) Matthew J. Payne, Stalin’s Railroad: Turksib and the Building of Socialism Victor L. Mote

Matthew J. Payne, Stalin’s Railroad: Turksib and the Building of Socialism (Pittsburgh: University of Pittsburgh Press, 2001) 384pp. £23.00, ISBN 0-8229-4166-X

Jennifer Considine and William Kerr, The Russian Oil Economy (Cheltenham: Edward Elgar Press, 2002) 360pp. £69.95 (hb), ISBN 1-84064-758-2 (hb)

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Yuval Gozansky

the creation of many and diverse branded spin-off works: book series, full-length movies, and live musical shows. The later serials increasingly created ‘transmedia storytelling’ ( Jenkins 2006 ) for second and third online screens. Now accessible from

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Anna Bara and Sveta Yamin-Pasternak

reconstructs the development of collaborative relationships between scientists and indigenous experts on the Russian and US sides of the Bering Strait. Vakhtin, with a satirical voice and candid storytelling that makes his contribution particularly entertaining

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Tero Mustonen, Sergei V. Sokolovskiy, Hugh Beach and Jessica Kantarovich

linguistic features can inform our understanding of the migration history of a speaker group. The study of indigenous Englishes among Aboriginal people in Canada focuses on how storytelling can be a useful tool for linguists, who are often more interested in