feminism, what has now been dubbed the ‘#MeToo’ moment. In the wake of allegations of sexual harassment, rape and assault against the Hollywood producer Harvey Weinstein, the actress Alyssa Milano started the hashtag that drew millions. Largely focused on
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Decolonizing Feminism in the #MeToo Era
Ritty Lukose
Representations of Women in the French Imaginary
Historicizing the Gallic Singularity
Jean Elisabeth Pedersen
a French manifesto against the American #MeToo movement in Le Monde in 2018. One of the most important academic incarnations of the debate over “the Gallic singularity” remains the mixed French and American response to the work of Mona Ozouf in
The Politics of Presence Revisited
Anne Phillips and Hans Asenbaum
, perhaps essentialised, group” ( Phillips 2010: 54–55 ). How can the politics of presence grapple with this conundrum? When you think about movements such as #MeToo or Black Lives Matter, how have they navigated the line between essentialism and agentic
The Gallic Singularity
The Medieval and Early Modern Origins
Tracy Adams
Still, this idea of a uniquely gratifying French relationship between the sexes was summoned to counter the #MeToo movement in an anti-#MeToo manifesto published in Le Monde in January 2018. In the ensuing controversy, proponents of the narrative
“Hot-for-Teacher”
Statutory Rape or Postfeminism in Pretty Little Liars?
Shara Crookston
#Metoo, it is especially important to critique forms of popular culture that have large young adult and adolescent female audiences since they are the group most likely to experience sexual harassment and sexual assault ( AAUW 2001 ; Hill and Kearl 2011
Identification and Contagion in Anna Rose Holmer's The Fits
Macy Todd
ethical failure in light of recent social developments. Movements like Black Lives Matter and #MeToo have reminded us that to be a body in public space means to be raced and sexed. As an increasingly isolated experience invites film viewers to forget their
Text in/and Place
Claudia Mitchell
expectations in a Norwegian context influence girls’ future trajectories.” Shara Crookston, in “Hot-for-Teacher”: Statutory Rape or Postfeminism in Pretty Little Liars? argues “that in the era of #Metoo, the exploration of power in heterosexual romantic
Stages, Streets, and Social Media
Intersectional Feminism and Online Activism in France during the Pandemic
Claire Mouflard
therefore marked a turning point in the public discourse in terms of gender and racial inequalities in French cinema, as it exemplified the intersectionality of the actresses’ fight for equality. Since the advent of the #Balancetonporc and #MeToo movements
Addressing Serious Harm, Reconsidering Policy and Building Towards Repair
Rine Vieth
considered to go beyond simply wanting rights or an independent process enshrined in a contractually obliged process. In writing about the possibilities of organised labour and #MeToo in graduate organising, Ege Yumusak (2020) points towards the bigger
The return of human rights
fundamentally remain expressions of political will. It seems that human rights have blended into the background since 2016 with the rise of populism in many parts of the world, the focus on the 2030 Agenda for Sustainable Development, and even the #MeToo