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Deconstructing the Saussurean System of Signification

Miyagi Satoshi and His Mimetic Dramaturgy in Miyagi-Noh Othello

Tomoka Tsukamoto and Ted Motohashi

dominant story-telling, which is subject to scrutiny by Miyagi's application of the particular theatrical format of ‘Mugen-Noh’. That is one of the reasons why what we here call the ‘division’ system (which is deeply embedded with the ‘two in one’ method

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Graham Holderness

recollected and enacted by the Ghost of Desdemona, through utilising the Japanese ‘Mugen-Noh’ format. Through his mimetic dramaturgy employing the ‘division of speech and movement’ method, Miyagi succeeded in recovering not only Desdemona's testimonies