How can a novel be both a Harlequin romance (the equivalent of a British Mills and Boon book) and an example of post-colonial counter-discourse? In the same stroke, how can Spivak proclaim herself not learned enough to be interdisciplinary? Surely interdisciplinariness has become an integral part of post-colonial theory and investigation and to proclaim oneself not erudite enough is to put the practice of casual interdisciplinary action into question on ethical and scholarly grounds. And yet post-colonial studies thrives on its interdisciplinary methods and we are certainly not all philosophers, social scientists or professional politicians. In fact, it is possible to argue, as I intend to do here, that postcolonial literary works can also be interdisciplinary, thereby challenging us to reveal the inherent interdisciplinary nature of the field itself. In this case, breaking rules is not difficult and, yes, much can be learned from this action. So, as well as demonstrating a post-colonial textual analysis indebted to an interdisciplinary approach, as this special issue calls for, this article will further reveal how, often, writers themselves are already involved in utilising an interdisciplinary approach in their fiction. This can make it difficult to separate the authors’ intentions; are they writing in their capacity as authors, critics or both?
The Creative Native Informant?
Surveillance and the African Immigrant Community in France, 1960-1979
By the early 1960s, an increasing number of Africans migrated to France from their former colonies in West Africa. Most were men hoping to gain employment in several different industries. Their settlement in Paris and other cities signaled the start of "post-colonial" African immigration to France. While scholars have analyzed several facets of this migration, they often overlook the ways in which France's role as a colonial power in West Africa impacted the reception of these immigrants after 1960, where surveillance played a critical role. Colonial regimes policed and monitored the activities of indigenous populations and anyone else they deemed problematic. The desire to understand newly arriving immigrant groups and suspicion of foreign-born populations intersected with the state's capacity to monitor certain groups in order to regulate and control them. While not physically violent, these surveillance practices reflected the role that symbolic violence played in the French government's approach to this post-colonial immigrant population.
One of the most fraught and, possibly, most tricky issues, both in theory and in practice, for current literary criticism in post-apartheid South Africa is how to read and reread the texts of those now-canonical white South African writers whose reputations were made, both nationally and internationally, by their ‘writing against apartheid’, now that this particular kind of literature of resistance could be seen as passé. What is at stake here is not just a critical re-evaluation of such writers as J.M. Coetzee, Nadine Gordimer and André Brink, whose voices may now be seen to be marginalised in favour of those ‘subaltern’ voices freed to speak in a post-apartheid state, but a re-situating of the very nature of their literary resistance. Inextricably tied to any such discussion is the complex nature of literary resistance itself and the debates surrounding the categorisation of ‘South African literature’ within ‘world literatures’. These debates have evolved around such questions as whether post-colonial theory and criticism have any relevance to such texts; whether ‘white’ South African literature should be regarded as part of other settler literatures (despite its obvious differences in not having just one ‘imperial centre’ and in the neo-colonial structures of apartheid); and whether even locating such a division between ‘white’ and ‘black’ writing in South Africa imposes a retrospective form of apartheid within critical practice itself. This article addresses some of these issues and considers them as part of a process of reconciling differences and moving beyond the fixed binaries that characterise both the apartheid mentality and colonialism itself.
When compared to the extensive historiography on missionary activity, the anthropology of missions is a relative newcomer, emerging as such in the context of the recent critique of the colonial system. In view of the importance of historiographical literature in outlining the subject, on the one hand, and of the impact of the decolonization of the African continent on anthropology, on the other hand, my purposes in this essay are, firstly, to examine how the historiography of colonial America and of African colonialism has handled the subject of missions; secondly, to describe the role of missionary activity in the historiographical debate in the context of the crisis of colonialism; and, lastly, to analyze how post-colonial critique has given rise to a new anthropology of missions.
Jelena Tošić and Annika Lems
Th is contribution introduces the collection of texts in this special section of Migration and Society exploring contemporary patterns of im/mobility between Africa and Europe. It proposes an ontological-epistemological framework for investigating present-day movements via three core dimensions: (1) a focus on im/mobility explores the intertwinement of mobility and stasis in the context of biographical and migratory pathways and thus goes beyond a binary approach to migration; (2) an existential and dialogical-ethnographic approach zooms in on individual experiences of im/mobility and shows that the personal-experiential is not apolitical, but represents a realm of everyday struggles and quests for a good life; and (3) a genealogical-historical dimension explores present-day migratory quests through their embeddedness within legacies of (post)colonial power relations and interconnections and thus counteracts the hegemonic image of immigration from Africa as having no history and legitimacy.
Anxiety and Interdisciplinarity
Questioned by W. J. T. Mitchell on the importance of theory for postcolonial studies, Homi Bhabha proceeds to distinguish two forms of interdisciplinarity. The first form is familiar in its emphasis on joint degrees and teaching in order to widen the teaching or research base, juxtaposing disciplines which yet maintain their solid foundations. The second form of interdisciplinarity acknowledges disciplinary limits, and marks the shaking of apparently solid foundations; Bhabha argues that it ‘is not an attempt to strengthen one foundation by drawing from another; it is a reaction to the fact that we are living at the real border of our own disciplines, where some of the fundamental ideas of our disciplines are being profoundly shaken. So our interdisciplinary moment is a move of survival – the formulation of knowledges that require our disciplinary scholarship and technique but demand that we abandon disciplinary mastery and surveillance.’ Elsewhere, in ‘DissemiNation’, Bhabha expands his point to argue for the necessity of this second form of interdisciplinarity: ‘To enter into the interdisciplinarity of cultural texts means that we cannot contextualize the emergent cultural form by locating it in terms of some pre-given discursive causality or origin.
The End FGM Guardian Global Media Campaign
the racial, post-colonial contours of the Guardian’s global media campaign and particularly the former colonial metropole’s slick repackaging of past imperialist discourses of the body in new digitized ways. The End FGM documentaries, shortened for the
The Ambivalence of Christian-Muslim Public Presences in Post-colonial Tanzania
regard to the country's post-colonial histories of Christianity and Islam, which have shaped religious actors’ unequal structural positions toward the state and transnational governing bodies up to the present day. 3 In conclusion, I argue that the
An Anthropological Investigation into Narratives as a Source of Enquiry in Development Planning
takes an in-depth look at some of the narratives I amassed during the course of the project. Within the context of a post-colonial, multi-ethnic society such as TT, development in thought and practice is a complex negotiation of plantation history
Graham Holderness, Sue Dymoke, Simon Curtis, Michael Bartholomew-Biggs, Stuart Flynn, Rennie Parker and Lawrence Sail
The Invisible Man GRAHAM HOLDERNESS
On Lake Oscanawa American Sound SUE DYMOKE
Back Home … SIMON CURTIS
Battle Training MICHAEL BARTHOLOMEW-BIGGS
Mandatory Post-Colonial Poem STUART FLYNN
Only Resting Trading Up RENNIE PARKER
Cutting the Bay Hedge LAWRENCE SAIL