This article reconsiders the connection between 'ritual' and 'emotion' from a pragmatic, relational perspective in which rituals are seen as dynamic interactive contexts and emotions as fairly short-lived emergent properties and integral components of these interactions. It emphasizes ritual's capacity to reallocate social positions by instantiating characteristic patterns of relationship, and the way particular emotions crystallize and express these patterns. In short, ritual emotions are treated as the sensate qualities of ritual relationships. From this standpoint, emotions feature in ceremonial settings not as striking experiences grafted onto practices and representations, but as constitutive aspects of ritual interactions themselves, whose properties of bodily salience and relational reflexivity both reflect and inflect the latter's course in a variety of sensory, expressive, moral, and strategic ways. Four issues relating to ritual and emotion are discussed within the framework of particular ceremonial practices that have been the object of much recent research: (1) the ritual expression of emotions in funerary laments, (2) the waning of cathartic models in the interpretation of rites of affliction, (3) the intense emotional arousal characteristic of initiatory ordeals, and (4) the self-constructive, affective dimensions of contemporary devotional practices.
Moving Relations, Patterned Effusions
François Berthomé and Michael Houseman
. New York : Oxford University Press . Ekman , Paul . 1992 . “ An Argument for Basic Emotions .” Cognition and Emotion 6 ( 3–4 ): 169 – 200 . 10.1080/02699939208411068 Ekman , Paul , and Wallace V. Friesen . 1969 . “ Nonverbal Leakage and
There is a striking divide, in the literature on comedy, between approaches that stress the social functions of humor, including social control and alleviation of social stresses, and approaches that focus on the psychological mechanisms of humor, including incongruity and arousal. These two kinds of approach have proven quite resistant to integration, because they are rooted in fundamentally different understandings of the pleasure of humor. Put simply, the pleasure of the put-down is hard to square with the pleasure of the pun. This article examines new scientific research on humor, including recent brain imaging studies, to see if there is any evidence for an empirical divide. The conclusion, in practical analytical terms, is that when, near the start of Shaun of the Dead (2004), Shaun fails to notice that he is surrounded by zombies, our perception of the inappropriateness of the character's actions and our perception of the playfulness of the depiction are both necessarily involved in our perception of the scene's funniness.
The article relates the study of mobility history to the fields of history of emotion and affect theory in the promotion of a cross-disciplinary research agenda. Taking as its point of departure a workshop in Copenhagen on feeling and space, the text draws lines and points of potential interface between historical mobility studies and the two related fields.
OVIDIU CRISTIAN NOROCEL
Patrick Colm Hogan
Our emotional responses are determined not only by actual experience, but also by anticipation. Indeed, we respond not only to anticipations per se, but to the relation between anticipations and experiences. Such anticipations operate on different time scales, linked with distinct neurological substrates. Some—such as those involving expectations about the immediate trajectory of objects—are very brief. The relations between experience and very short-term expectations can have significant emotional consequences. One purpose of the standard continuity editing system is to avoid disruptions in our short-term projections. However, the manipulation of discontinuities, thus the controlled disruption of short-term anticipations, can significantly contribute to the emotional impact of film. It is possible to isolate distinct varieties of anticipation and disruption, examining their emotional consequences in different cases. Muzaffar Ali's Umrao Jaan provides a virtual catalogue of such disruptions and their emotional effects.
Feelings, Affect and Emotions in Instantiating the Malawi State in Disaster Relief
Tanja D. Hendriks
conceptualisations of the state as a ‘relational setting’ ( Thelen et al. 2014 ), I seek to show in this article how a focus on affect, feelings and emotions is more fruitful when trying to understand everyday practices of ‘street-level’ bureaucrats ( Lipsky 1980
Public Servants’ Affective and Emotional Entanglements in the Making of the State
Sophie Andreetta, Luisa Enria, Pauline Jarroux, and Susanne Verheul
to understand the “magic of the state”’ (2015: 10). Our ambition is to build on this work through an explicit focus on bureaucracies and the work of state agents to show what a more sustained attention to affects and emotions from within can bring to
Kata Szita, Paul Taberham, and Grant Tavinor
Bernard Perron and Felix Schröter, eds., Video Games and the Mind: Essays on Cognition, Affect and Emotion (Jefferson, NC: McFarland, 2016), 224 pp., $39.95 (softcover), ISBN: 9780786499090. Reviewed by Kata Szita Around the dawn of