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Lara Kriegel

Considerations of E. P. Thompson's The Making of the English Working Class have situated its 1963 publication within political, social, and intellectual contexts. A study of its cultural, emotional, and affective contexts remains lacking. This article locates The Making in the context of an important genre developed, on stage and on screen, at the moment of its publication: the “kitchen sink” dramas written by the so-called Angry Young Men, including Look Back in Anger (1956/1959), A Kind of Loving (1960/1962), and A Taste of Honey (1958/1961). It understands these texts as a collective commentary on loss—the loss experienced by Thompson's working class subject and by his learned readership, too—and assesses the affective dimensions of class beyond Thompson's rendition of class formation. In so doing, it follows on the work of feminist critics and cultural historians who have sought, at once, to augment and challenge the view of class formation that E. P. Thompson was able to provide. Through this engagement, it seeks to extend Thompson's interest in the contours of class formation into a domestic sphere concerned, among other things, with emotional relations, consumer practice, and reproductive politics.

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Staying out of Place

The Being and Becoming of Burundian Refugees in the Camp and the City

Simon Turner

. 2004a . “ New Opportunities: Angry Young Men in a Tanzanian Refugee Camp .” Pp. 94 – 106 in Refugees and the Transformation of Societies - Agency, Policies, Ethics and Politics , ed. P. Essed , G. Frerks , and J. Schrijvers . New York

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Attack Frames

Framing Processes, Collective Identity, and Emotion in the Men’s Rights Subreddit

Chelsea Starr

. https://www.bjs.gov/content/pub/pdf/fvsv9410.pdf . Rekai , Mika . 2013 . “ Angry Young Men .” Maclean ’s 126 ( 30–31 ): 23 – 25 . Schrock , Douglas , Daphne Holden , and Lori Reid 2004 . “ Creating Emotional Resonance: Interpersonal

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Max Stille

), https://doi.org/10.1111/hith.10787 . 69 Orsini, “Introduction,” 34. 70 Rachel Dwyer and Divia Patel, Cinema India: The Visual Culture of Hindi Film (London: Reaktion, 2002), 30. 71 Imke Rajamani, “Angry Young Men: Masculinity, Citizenship and

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The Meanings of the Move?

From “Predicaments of Mobility” to “Potentialities in Displacement”

Stephen C. Lubkemann

, University of Zimbabwe, Harare. Thiranagama , Sharika . 2013 . In My Mother’s House: Civil War in Sri Lanka . Philadelphia : University of Pennsylvania Press . Turner , Simon . 2004 . “ New Opportunities: Angry Young Men in a Tanzanian Refugee Camp