Film studies inspired by the theories of British psychoanalyst Donald W. Winnicott are scanty. Although this may be partly explained by Winnicott's own somewhat unenthusiastic attitude toward cinema, it should be fruitful to approach film, in both its form and content, by taking into consideration the relevance of some of his ideas. These include in particular the concepts of mirroring and transitional space, especially in relation to the idea of a bridge space connecting external reality to its filmed representation, as well as the latter to reality as perceived by the viewer's gaze. Winnicott's developmental model of mental processes could prove useful for an understanding of the structural and functional characteristics of cinema, as well as for providing original interpretations of individual films.
Raewyn Connell's Influence on its New Vision
Joseph D. Nelson, Tristan Bridges, and Kristen Barber
, and it was the journal's distinct commitment to feminist and intersectional perspectives that brought us together, with the intent to also construct a diverse editorial team, which includes a woman (Barber), a cis White man (Bridges), and a Black gay
An Urban Journey into Violence and Back
A strange contradiction haunts the urban experience of Ahmedabad, a city strongly divided along class and communal lines. The city's Sabarmati river is traversed by seven modern bridges, which, instead of being a solution to the problem of separation, have assumed its very form. In ordinary life, as well as during extraordinary events, residents of the city use these bridges not only to span space and gain access to the other half of the city, but also to escape and confine, project and expiate, and even to remain hidden while in full view. This article describes experiences of separation in Ahmedabad and how these experiences become expressed in reference to its bridges. In other words, urban structures, intended to overcome physical space and represent the modern promise of connectivity, become, instead, embodiments of division.
Siberian Archaeology and the Emergence of Pottery among Prehistoric Hunter-Gatherers of Northern Eurasia
Kevin Gibbs and Peter Jordan
This article examines Siberia's increasingly important role in the study of the emergence of pottery across northern Eurasia. The world's earliest pottery comes from Late Pleistocene hunter-gatherer sites in East Asia. This material is typically seen as disconnected from later pottery traditions in Europe, which are generally associated with sedentary farmers. However, new evidence suggests that Asian and European pottery traditions may be linked to a Hyperborean stream of hunter-gatherer pottery dispersals that spanned eastern and western Asia, and introduced pottery into the prehistoric societies of northern Europe. As a potential bridge between the eastern and western early pottery traditions, Siberia's prehistory is therefore set to play an increasingly central role in one of world archaeology's most important debates.
Reviving the Grammar of Islamic Humanism
This article states an intercivilisational conflict between Europe and Islam and argues that it can be resolved through cross-cultural bridging and sharing grammars of humanism in the pursuit of an international morality. The plea for a revival of the suppressed tradition of Islamic humanism, and of the rationalist thought of al-Farabi, Ibn Sina and Ibn Rushd among others, acknowledges that today there is no one uniform Islam. Today, the global competition between humanism and absolutism in Islam is also pertinent to the future of European identity, given Europe's proximity to the Islamic neighbourhood and the global migration emanating therefrom. While greater civilisational identity politics can be a source of conflict, such conflict can be overcome through a dialogue based on a common humanist heritage, and by bridging the international system of states to an international society, people of different civilisations can be brought closer to one another.
Democratic Theory through an Agonistic Lens
This article seeks to explore democratic theory by focusing on the example of agonistic democracy, in which contest between citizens is valued for its potential to render politics more inclusive, more engaging, and more virtuous. Using Connolly and Tully’s inclusivism, Chantal Mouffe’s adversarialism, and David Owen’s perfectionism, the article discusses democratic theory as a critique, a series of normative proposals, and a potential bridge between political theory and public policy. It is this bridge that enables democratic theory to pull together critical and normative discussions with those surrounding public policy and institutional design.
Nafissa Sid Cara and the Politics of Emancipation during the Algerian War
guaranteed by virtue of the rights of all women, not by an imperial apparatus. Sid Cara’s affiliations—with the Gaullist government, the MSF, and the Algerian women she wished to represent—made her a bridge figure between these communities. 7 At once
From the Drama of Production to the Production of Drama
Gluckman's paper, "The Bridge," challenged received social anthropology, initially in segregated South Africa, at the LSE, and more generally, by illustrating that professional observers and participants in social situations are profoundly mutually interinvolved with one another despite wide cultural differences. While retracing his own history within it, the present writer relates this new anthropology to the methods of modernist literature (and to changing natural science approaches) in which writers such as Joyce and Woolf, and more recent successors, revealed the culture of an epoch in the closely analyzed incidents of even a single day. They paralleled Freud's methods in psychoanalysis and the specific analyses of discrete political situations in Marx, as well as in later developments of television, film, and the visual arts. After Gluckman's move to the Rhodes-Livingstone Institute, Oxford, and finally Manchester, he and his colleagues and students are shown as developing this interpretive method in very varied contexts.
Jewish Responses to Destruction
Liliana Furman and Liliana Ruth Feierstein
This article, which deals with the Nazis' attempt to destroy the Jewish people and their culture, embodied in the symbol of the Book, seeks to reveal the metaphorical replies which the She'erit Hapletah succeeded in producing in the years immediately after liberation (1945–1951), despite endless and unutterable pain. It had to do with starting to read again, that is, to live. It pays homage to the survivors' will to live.
Hungary’s gradual transformation
Sometimes it is suggested that communism collapsed not least because its leaders ran out of any vision of a promising future for Eastern Europeans. My own experience of 1989 partly challenges this assumption. By that time, aware of the imperative of Hungary’s European integration, communists tried to demonstrate their will and skill to lead the country to the new path by proposing a grand project that could elicit the support of Western and domestic elites and capture the imaginations of ordinary people.