Most academics that I know take it for granted that higher education in capitalist countries has become deeply corporatised over the last thirty years. But as an undergraduate student in the 1990s, dreaming of joining the ranks of the professoriate, the institutional and structural changes that were transforming the university were largely hidden from my view. Looking back, I had no idea how such trends might be impacting the men and women who excited my intellect and set me on an academic path. I did not even think to ask.
Paul Robert Gilbert
as the operation of concealed power blind us to “the collaboration and complicity (or duplicity) of marginal actors/institutions in development” ( Mosse and Lewis 2006: 4 , emphasis added). I argue here that hewing closer to one’s ethnographic
Pauline Gardiner Barber
This article addresses the politics of class, culture, and complicity associated with Philippine gendered-labor export. Several examples drawn from multisited ethnographic research explore two faces of class: migrant performances of subordination contrasted with militancy in the labor diaspora. With few exceptions, the literature on Philippine women in domestic service has emphasized disciplined subjectivities, the everyday dialectics of subordination. But class is also represented in these same relationships, understandings, and actions. Alternatively, the political expressions of Philippine overseas workers, and their supporters, is a feature of Philippine migration that is not often mentioned in writing concerned with migrant inequalities. This article proposes a reconciliation of these two faces of class expression by exploring how new media, primarily cell-phone technologies, enhance possibilities for organized and personal resistance by Filipino migrants, even as they facilitate migrant acquiescence, linked here to gendered subordination and class complicity, in the contentious reproduction of the migrant labor force.
As seen in his enthusiastic praise of John Dos Passos's 1919, Sartre evaluated literary works by how effectively they aim to play a role in fundamental social change. This essay has two goals. One is to show that Sartre's endorsement of committed literature is not undercut if literature fails to play a role in fundamental social change and the other is to show at least some of the ways in which committed literature is successful. Both goals are pursued through a consideration of the literary works of Kurt Vonnegut and Don DeLillo. The former was mentioned briefly but favorably by Sartre in 1971 and the latter, while lacking such direct ties to Sartre, was accused of “sandbox existentialism.” I read both writers as arguments in favor of Sartre's instrumentalist take on literature.
One of the most fraught and, possibly, most tricky issues, both in theory and in practice, for current literary criticism in post-apartheid South Africa is how to read and reread the texts of those now-canonical white South African writers whose reputations were made, both nationally and internationally, by their ‘writing against apartheid’, now that this particular kind of literature of resistance could be seen as passé. What is at stake here is not just a critical re-evaluation of such writers as J.M. Coetzee, Nadine Gordimer and André Brink, whose voices may now be seen to be marginalised in favour of those ‘subaltern’ voices freed to speak in a post-apartheid state, but a re-situating of the very nature of their literary resistance. Inextricably tied to any such discussion is the complex nature of literary resistance itself and the debates surrounding the categorisation of ‘South African literature’ within ‘world literatures’. These debates have evolved around such questions as whether post-colonial theory and criticism have any relevance to such texts; whether ‘white’ South African literature should be regarded as part of other settler literatures (despite its obvious differences in not having just one ‘imperial centre’ and in the neo-colonial structures of apartheid); and whether even locating such a division between ‘white’ and ‘black’ writing in South Africa imposes a retrospective form of apartheid within critical practice itself. This article addresses some of these issues and considers them as part of a process of reconciling differences and moving beyond the fixed binaries that characterise both the apartheid mentality and colonialism itself.
Visual and Verbal Strategies of Representing the Past in Post-Waldheim Austria
This article focuses on the impact of images on reconstructions of the past. In order to analyze the function of images in history textbooks, image-discourse analysis is applied to a case study of Austrian postwar memory. The analysis of recent Austrian history textbooks provides insight into strategies by which notions of Austria as both "victim" and "perpetrator" of the National Socialist regime are held in balance. The article also focuses on the intentional framing of iconic depictions of two central Austrian sites of memory, Heroes' Square (Heldenplatz) and the State Treaty (Staatsvertrag).
Elia Etkin, Tal Elmaliach, and Motti Inbari
. Fiona Wright , The Israeli Radical Left: An Ethics of Complicity (Philadelphia: University of Pennsylvania Press, 2018), 208 pp. Hardback, $69.95. Fiona Wright's book is an ethnographic study that portrays and analyzes the personal and political
This article has two parts. The first discusses Thomas More's Utopia and its concern with human happiness. This is followed by an outline of what I mean by radical utopianism and how it has the power to defamiliarise our complicity with power
Teacher Complicity in Gender Inequality in a Middle School
manage the issue on their own. Teacher Complicity This article takes its title from my interview with Merlin, a sixth grade math teacher. I asked him to characterize gender relations at the school between students. Merlin: There’s a little bit of a
Bilal Tawfiq Hamamra
, licensing men to do so). The Chorus’s vocal complicity with Agamemnon’s plan to sacrifice Iphigenia illuminates the obedience of women and the submission of their wills and voices to male figures of authority; while in Tuqan’s A Mountainous Journey some