Review of Patrick Colm Hogan, UNDERSTANDING INDIAN MOVIES: CULTURE, COGNITION, AND CINEMATIC IMAGINATION
Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination
The Future of French Culture
The evolution of French culture from the late nineteenth to the early twenty-first century is described as a succession of three "cultural configurations": humanist (or literary/philosophical), scientific/organic, and industrial. The transformation of the culture is linked to changes in the educational system in response to France's altered place in the global order after 1945. French attitudes toward, and internal critiques of, the shifting cultural hegemony are examined as both causes and consequences of these evolving configurations.
Globalization/Americanization and Negotiating National Dreams: Representations of Culture and Economy in Israeli Advertising
Anat First and Eli Avraham
American values, symbols, landscapes, and lifestyles have been widely used in Israeli advertisements to market a vast array of consumer goods. An analysis of advertisements that appeared in Israeli newspapers during the 1990s reveals that American symbols were invoked to promote products produced in the United States, Israel, or even a third country. By examining the relationship between advertising and culture, along with the changes that have occurred in Israeli society during this period, this analysis focuses on two interlocking spheres: capitalist-economic (labor and production, consumption, and technology) and cultural (cultural heroes and symbols, language, and lifestyle). Using both qualitative and quantitative methods, it is the authors' goal to show how social values have changed over time, losing their Israeliness and taking on an American flavor. This article seeks to present the manifestation of the American image in Israeli advertisements and thereby fuel a discussion on the Americanization of Israeli society.
grandfather and his family crossed Yugoslavia and Austria ending in Germany. My grandmother and her family arrived in Austria by way of Hungary. Both families traveling by foot, walking alongside covered wagons, learned additional languages and cultures, until
Culture and Religion
Remarks on an Indeterminate Relationship
therefore Muslim’), in schools, supermarkets, government offices, the media. Religion and nationality (or ethnicity), she seemed to be saying, are so closely linked as to be practically interchangeable. By addressing us as members of a ‘Christian culture
(Para)normalizing Rape Culture
Possession as Rape in Young Adult Paranormal Romance
2016: 50 ) she must navigate by her very existence in rape culture—highlights social conventions that shape girlhood. Aiyana Altrows notes that the pathologizing of female characters in contemporary YA rape texts creates “rape spaces” by positioning
The Making of a Bicycle Nation
M. William Steele
Japan is one of the great bicycle nations of the world, ranking alongside the Netherlands, Germany, and Denmark in terms of per capita bicycle ownership and use. This article reviews the history and characteristics of Japan as a bicycle nation. It examines the emergence of a distinctive bicycle culture that offered personal mobility to ordinary people in prewar Japan and traces the contribution of the bicycle to postwar Japan's social and economic development. It reviews postwar bicycle history in: the period of reconstruction and recovery (1945-1956); the period of high economic growth (1957-1973); the period of rapid motorization (1974-1991); and the period of raised environmental consciousness (1992-present). The conclusion seeks to offer reasons for the persistence of Japan's vibrant and pervasive bicycle culture.
Philosophy in Black: African Philosophy as a Negritude
Tomaz Carlos Flores Jacques
African philosophy, as a negritude, is a moment in the postcolonial critique of European/Western colonialism and the bodies of knowledge that sustained it. Yet a critical analysis of its' original articulations reveals the limits of this critique and more broadly of postcolonial studies, while also pointing towards more radical theoretical possibilities within African philosophy. Jean-Paul Sartre's essay 'Black Orpheus', a philosophical appropriation of negritude poetry, serves as a guide for this reflection, for the text reveals the inspiration and wealth of expressions of negritude, as well as their ambiguity. Sartre's essay however also renders possible a further act of re-appropriation that takes us beyond culture and identity-centred readings of African philosophy and postcolonialism, readings whose conceptual and critical potential is far greater than what has hitherto been explored.
The comforts and discomforts of race
Soo Ah Kwon
Drawing on existing literature and student ethnographic projects, this article examines Asian American undergraduates' overwhelming focus on individual racial identity and practices of racial segregation in their ethnographic research about the University of Illinois. The author examines how such racial segregation is described and analysed as a matter of personal 'choice' and 'comfort' rather than as the result of racial inequality, racism and the marginalisation and racialisation of minority groups. This lack of structural racial analysis in the examination of Asian American students' experiences points to the depoliticisation and institutionalisation of race in higher education today. Race is understood and more readily analysed as a politically neutral concept that invokes celebration of racial diversity and 'culture' and not as a concept marked by power and inequities as it once may have been.
The Hostel Rhetoric of Torture: A Discourse Analysis of Torture Porn
Torture porn's crowning achievements, as identified by Gregory A. Burris (2010), are the Saw and Hostel series. He argues that the Saw series represents a puritanical mind-set running amok, while the Hostel movies reflect a culture struggling to come to terms with the horrors of Abu Ghraib. This article challenges this position. It identifies thematic patterns within the Saw and Hostel films to demonstrate how the images of violence on display throughout both series tend to reinforce, rather than subvert, the popularly held belief that the Abu Ghraib scandal represented mere abuse, as opposed to torture. The article shows how these films trivialize and rationalize torture and the roles that sex and gender play in this process.