This article explores the changing perception of "diversity" and "cultural difference" in Germany and shows how they were central in the construction of "self" and "other" throughout the nineteenth and twentieth centuries affecting minorities such as Jews, Poles, and others. It examines different levels of legal and political action toward minorities and immigrants in this process and explores how the perception and legal framework for the Turkish minority in the past sixty years was influenced by historical patterns of such perceptions and their memory. The article tries to shed some light on how the nature of coming-to-terms with the past ( Vergangenheitsbewältigung ) and the memory of the Holocaust have long prohibited a broader discussion on inclusion and exclusion in German society. It makes some suggestions as to what forced Germans in the postunification era to reconsider legislation, as well as society's approach to "self" and "other" under the auspices of the closing of the "postwar period" and a newly emerging united Europe.
The Weakness of Diversity as a Civic Argument (and How to Make It Stronger)
In this article, I use Boltanski and Thévenot's (2006) work on “logics of justification” to make the case that diversity, defined broadly as engagement with otherness, has limited worth as a “civic argument” in the United States. I argue that “diversity talk” has not been effective in civic spheres because it does not challenge the underlying pluralist architecture of the US political system. Instead, diversity in the civic sphere is regarded as producing conflict or an apolitical “improvement in manners” (Rorty 1999) rather than as a mechanism for citizenship development. This diminishes the ability for diversity to enhance democratic citizenship by fostering the development of a type of civic wisdom necessary for effective decision making in a democratic society.
How does one deal with diversity in an organization known to be hostile to it? Drawing on a Weberian perspective I present in this article one case occurring in actual historical practice: that of Inspector Bobkowski, a teacher, chief of the political education unit at the Berlin police academy and training center, and a hobby historian. With an eye to the case at hand as well as other efforts to deal with difference under the Weimar Republic encountered during my fieldwork, I attempt to uncover the motives underlying the action of officers who contributed to the promotion of diversity within the police force in Germany. Inquiring into their motives enables me to construct an ideal type of a “carrier of diversity,” which, I argue, shares affinities with a liberal agenda of civic equality.
Mary N. Taylor
Since the early 1990s, language used to speak of cultural practices once thought of as "folklore" has become increasingly standardized around the term intangible heritage. Supranational intangible heritage policies promote a contradictory package that aims to preserve local identity and cultural diversity while promoting democratic values and economic development. Such efforts may contribute to the deployment of language that stresses mutual exclusivity and incommensurability, with important consequences for individual and group access to resources. This article examines these tensions with ethnographic attention to a Hungarian folk revival movement, illuminating how local histories of "heritage protection" meet with the global norm of heritage governance in complicated ways. I suggest the paradoxical predicament that both "liberal" notions of diversity and ethno-national boundaries are co-produced through a number of processes in late capitalism, most notably connected to changing relations of property and citizenship regimes.
Why diversity matters in the global political economy
Anna Lowenhaupt Tsing
What if those translations across difference that characterize global supply chains were to inspire a model of power and struggle in the contemporary political economy? In contrast to the unified Empire offered by Hardt and Negri, supply chains show us how attention to diversity-and the transformative collaborations it inspires-is key to both identifying what is wrong with the world today and imagining what we can do about it. This article describes a politics in which transformative collaborations across difference form the radical heart of possibility. Nonhumans are involved, as well as people with starkly different backgrounds and agendas. Love might be transformed.
Origins and Diversity
Today, "social policy" is an expression used across the globe to denote a broad range of issues, such as old age security, health, housing and so on. But historically, "social policy" had a distinct European origin and a distinct meaning. I maintain that "social policy" and the "welfare state" are more than a list of social services, and also have strong socio-cultural underpinnings that account for the diversity of social policy. The idea of "social policy" emerged in mid-nineteenth-century Germany against the backdrop of secularization and functional differentiation of modern society. I then pinpoint the twentieth-century move from "social policy" to the broader cultural idea of a universalistic "welfare state." The idea emerged internationally as early as the 1940s, even before the post-WWII rise of national welfare states, which, as I argue, differ according to national notions of "state" and "society." To this end, I compare the UK, Sweden, Germany, France, and two non-welfare states, the United States and the Soviet Union.
Diversity and New Directions
Future directions are often shaped by quirks of necessity or chance: the groundbreaking iconoclast that is Moebius’s Garage hermétique, with its rejection of conventional narrative or character coherence, came as a result of the author having forgotten previous scripts from one week to the next; Rodolphe Töpffer, so often credited for having invented the modern comic strip, initially saw himself as producing no more than scribblings for the entertainment of his pupils; one of the earliest of text/image forms, the emblem, may well be the result of Augsburg printer, Heinrich Steiner, adding images in 1531 to Andrea Alciato’s epigrams, a far cry from the composed intertwining of Francesco Colonna’s Hypnerotomachia Poliphili of 1499. Mirroring such processes in our own way, European Comic Art is embarking on a new direction, as we turn to issues that can reflect the diversity of comic art rather than being necessarily united by a single theme. It is a logical direction, but also one shaped by chance and necessity, that of the diversity of high-quality submissions that we have been delighted to receive.
After the terrorist attacks on the London transport network on 7 July 2005 some academics and journalists announced the ‘death of multiculturalism’ in Europe. Multiculturalism, however, cannot be dead because it is a social reality for millions of Europeans. Not only these who live in the global cities like London, Paris, Rome, and others, but also those who live in small ones like the Italian City of Peace, Rovereto. All the European societies from east to west and from north to south have become increasingly diverse, multicultural, multiracial and multi-religious. This diversity is producing not only high levels of uncertainty, but also lack of social cohesion. As Putnam notices in his latest large-scale study of social solidarity in American society, in the ethnically diverse areas there is less trust and civic engagement.2 Such areas lack, above all, meaningful social encounters.
A Comparative Conceptual Exploration
José María Rosales
Rooted in late seventeenth-century theories of rights, liberal ideas have brought forth since the nineteenth century a full-edged complex of traditions in moral, political, economic, social, and legal thought. Yet in historiographical debates such complexity is often blurred by presenting it under the uniform terms of a canon. Along with other methods, conceptual history is contributing to the rediscovery of liberalism's diversity. This group of articles compiles three conceptual studies on scarcely explored aspects of the history of liberalism in Denmark, Finland, and Hungary—countries whose political past has only occasionally figured in mainstream accounts of European liberalism. This introductory article is a methodological discussion of the rationale and forms in which liberalism's historical diversity is rendered through comparative conceptual research. After reflecting on the limits of the Anglophone history of political thought to grasp the plurality of liberal traditions, the article examines how transnational conceptual histories recast the understanding of liberalism as a concept, theory, ideology, and political movement.
A Diversity Project
Through Different Eyes is a live performative project, developed to celebrate diversity and fight racism and discrimination. The project focuses on bodily experience as the path to new insights. The audience becomes performers and the surrounding environment, their stage. The idea is to give individuals an opportunity to experience having another skin color and possibly a different gender. Via this physical transformation the participant is encouraged to consciously work with empathy, considering this as one of the most important human skills.