, ceiling projections, and interactive stations, this award-winning exhibition frames Indigenous communities and the work of non-Indigenous researchers through the omnipresence of ice and ice melt around the Arctic, encompassing Alaska, Inuit Nunangat
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Exhibition Reviews
Arktis: Medan isen smälter (The Arctic: While the Ice Is Melting); Empowering Art: Indigenous Creativity and Activism from North America’s Northwest Coast; The New Austronesia Hall; Changsha Mawangdui Han Dynasty Tombs Exhibition; Goddess: Power, Glamour, Rebellion; The Tenth Asia Pacific Triennial of Contemporary Art
Isabelle Gapp, Rose Taylor, Ching-yueh Hsieh, Jingjing Zhou, Caroline Colbran, and Emily Poore
Exhibition Reviews
Simon Hilton-Smith, M. Elizabeth Weiser, Sarah Russ, Kristin Hussey, Penny Grist, Natalie Carfora, Nalani Wilson-Hokowhitu, Fei Chen, Yi Zheng, and Xiaorui Guan
[Re:]Entanglements: Colonial Collections in Decolonial Times Museum of Archaeology and Anthropology, University of Cambridge (22 June 2021 to 20 April 2022) The [Re:]Entanglements exhibition asks questions about the purpose of historical
Exhibitions
Sharon Ann Holt, Sophie Kazan, Gloriana Amador, Joanna Cobley, Blaire M. Moskowitz, Elena Settimini, Angela Stienne, Anna Tulliach, and Olga Zabalueva
Exhibition Review Essays
The National Museum of African American History and Culture, Washington, D.C.
After Darkness: Social Impact and Art Institutions
Exhibition Reviews
Behind the Red Door: A Vision of the Erotic in Costa Rican Art, The Museum of Costa Rican Art, San José
“A Positive Future in Classical Antiquities”: Teece Museum, University of Canterbury, Christchurch
Heavenly Bodies: Fashion and the Catholic Imagination: The Metropolitan Museum of Art, New York
Anche le Statue Muoiono: Conflitto e Patrimonio tra Antico e Contemporaneo, Museo Egizio, Fondazione Sandretto Re Rebaudengo, Musei Reali, Turin
Rethinking Human Remains in Museum Collections: Curating Heads at UCL
Ritratti di Famiglia, the Archaeological Museum, Bologna
100% Fight – The History of Sweden, the Swedish History Museum, Stockholm
Exhibitions
Aparna Kumar, Mary Bouquet, Alexandra Woodall, Paulette Wallace, Arjmand Aziz, Elizabeth Edwards, and Petra Mosmann
EXHIBITION REVIEW ESSAYS
Unsettling the National in South Asia: My East is Your West, Venice Biennale, and After Midnight, Queens Museum, New York
Nonstop Modernity: Renovating the Rijksmuseum
A Storehouse of Unimagined Treasures: York Art Gallery and the Centre of Ceramic Art, York St Mary’s
EXHIBITION REVIEWS
The Museum of Old and New Art, Hobart
Indigenous Australia: Enduring Civilisation, British Museum, London
Photography: A Victorian Sensation, National Museums of Scotland, Edinburgh, and Framed: People and Place in Irish Photography, Ulster Museum, Belfast
Girls at the Tin Sheds: Sydney Feminist Posters 1975–1990, University Art Museum, Sydney, and Girls at the Tin Sheds (Duplicated), Verge Gallery, Sydney
Exhibition Review Essays
Bruno Brulon Soares, Jennifer Coombes, Ailish Wallace-Buckland, and Hollie Tawhiao
community of Vila Autódromo from the gentrified city that continues to expand and advance to its peripheries (see Figure 1 ). While walking through the space of its land-based exhibition, it is in the fragments on the ground, the remains of an urban
Exhibition Review Essay and Reviews
Emily Stokes-Rees, Blaire M. Moskowitz, Moira Sun, and Jordan Wilson
Exhibition without Boundaries teamLab Borderless and the Digital Evolution of Gallery Space As ridiculous as it might sound today, one might argue that the development of exhibitionary space began with the ancient cave paintings of the
Introduction: World Fairs, Exhibitions and Anthropology
Revisiting Contexts of Post-colonialism
Patrícia Ferraz de Matos, Hande Birkalan-Gedik, Andrés Barrera-González, and Pegi Vail
feasts of wealth and power ( Matos 2014: 1 ). With five articles focusing on diverse, less-mapped territories, this special issue examines various aspects of world fairs and other great exhibitions in the past and the repercussions they may still have on
In Anthropological Journal of European Cultures
- Published (Print):
- 01 Sep 2022
- Article Type:
- Introduction
- Pages:
- 1–14 (14 total)
The Exhibition of Botocudos at Piccadilly Hall
Variations of an Anthropological Show, from the Museum to the Circus
Marina Cavalcante Vieira
The Brazilian Anthropological Exhibition, promoted by the Museu Nacional do Rio de Janeiro [National Museum of Rio de Janeiro] in 1882, was a scientific event that aimed to both popularise anthropological science among the public of the court of
In Anthropological Journal of European Cultures
- Published (Print):
- 01 Sep 2022
- Article Type:
- Research Article
- Pages:
- 15–37 (23 total)
Making Place for the Modern Road
The Road Exhibitions in Brussels (1910) and Liège (1930)
David Peleman
This article describes how two temporary road exhibitions before World War II functioned as tools to frame the Belgian road project as a rich cultural venture. In the absence of a comprehensive policy and any diverse cultural engagement by the government, a particular relationship between culture, technology, and society crystallized in the museological arrangement of these exhibitions. The article argues that, while these exhibitions relate the road project to a broad cultural field, they simultaneously instill a rigid way of reasoning about the modern road.
Exhibition Review
Venenum, un Monde Empoisonné, Musée des Confluences
Mariana Françozo
The Musée des Confluences in Lyon, France, recently organized a remarkable exhibition: Venenum, un Monde Empoisonné. It ran from April 2017 to April 2018 and was located in one of the museum’s five large temporary exhibition spaces. Venenum did justice to the multidisciplinary and multi-thematic nature of this newly founded museum, bringing together objects otherwise classified separately as natural history, art, ethnography, or history.