Film history marks the various transformations in the material and imaginative relations between Germans and Poles in the postwar era. This article explores how film—the primary contemporary vehicle for imaginative communities—has played an important role in envisioning various spatial relationships, as well as the political and cultural shifts in the general population of Germany, West and East, and Poland. The article surveys the representation of flight and expulsion from the East first in the fictional feature film and then in the documentary genre. It then turns to contemporary productions that offer new visions of contemporary German-Polish relationships. It considers different strategies of filmmaking, such as big budget historic event films, the melancholic frame of expellee videos, the contemporary interzonal film, among others.
This article discusses the respective origins and developments of the German expellee organizations' chief days of commemoration, the Tag der Heimat and the Volkstrauertag, and investigates key elements of the commemorative ceremonies that take place on these occasions, in particular, their liturgical setups, thematic mottos, recitations of Totenehrungen, and the performance of "Ich hatt' einen Kameraden." Despite assertions that the expulsion has been insufficiently commemorated in the Federal Republic, and in spite of recent calls for a national day of remembrance to rectify this commemorative lacuna, this article shows how the expulsion has been memorialized on various levels for decades. Moreover, it argues that the expellee organizations' historical narratives have been one-sided and de-contextualized and sheds light on how the ceremonies bring these understandings of the past to life by highlighting German wartime suffering.
This paper seeks to investigate the role played by memory in the Federation of Expellees (Bund der Vertriebenen, BdV) professed attempts to enter into dialogue with Polish society. It also seeks to assess why on occasion mutual recrimination continues to tarnish the wider framework of German-Polish relations and explain the reasons for this phenomenon. The initial focus lies with explaining the continued importance of key, often disputed, elements of the historical encounter between Germans and Poles. To complement this analysis, the latter part of the article considers whether the BdV and its associated organizations have contributed to the wider process of German-Polish reconciliation, or whether the activities of the BdV act as a brake upon full resolution. The paper argues that although in recent years the BdV has attempted to make a positive contribution to German-Polish relations, its chances for success are constrained by its inability to move away from positions that are themselves the product of memory.
The Federal Republic of Germany—both before and after 1989—has been influenced deeply by collective memories of the Nazi period and the Holocaust, a seemingly "unmasterable past." In a first phase after unification, memory trends, which had their origin in the mid 1980s, continued, but a second period, beginning around the 1999 move of the capital back to Berlin, however, witnessed the erosion of this older trend and the delayed rise of new memory dynamics. Substantively, there have been three vectors of memory concerning Nazi crimes, German suffering, and the period of division, especially regarding the German Democratic Republic. In this article, I outline the major collective memory dynamics and debates, first from a qualitative and then from a more quantitative perspective where I analyze the holdings of the German National Library. I conclude that an intense period of memory work characterized the postunification years, but the peak of concern was reached several years ago and the German future will be much less beholden to the past. Given inevitable normalizing trends and the unintended consequences of the hegemony of Holocaust memory, Germany's difficult historical legacy increasingly appears to be disappearing or even mastered.
This article analyzes contrasting notions of Heimat and Fremde, as explored cinematographically by three contemporary German filmmakers. The spatial aspect of Heimat, traditionally connected to a particular region or even neighborhood denotes the sense of belonging, whereas the temporal aspect—often associated with childhood and youth—carries the sense of longing. In the second half of the twentieth century, the concept has shifted to include identity, reflection and self-reflection, the loss of Heimat, and even multiple Heimaten. The article argues further that the notions of Heimat and Fremde are not mutually exclusive, but interdependent. Peter Lilienthal's film Ein Fremder concludes that in parts of German society the binary opposites of Heimat and Fremde are still intact. On the other hand, Peter Patzak in Adeus und Goodbye shows how Heimat and Fremde are mutually dependent and include a search for identity and individuality. In Michael Gutmann's travelogue-documentary, Familienreise, the protagonists experience aspects of Fremde and Heimatlosigkeit without ever finding Heimat.
Report on the Second International Applied Anthropology Symposium in Padua, Italy
Meta Gorup and Dan Podjed
In the beginning of December 2014 the Italian city of Padua hosted the second international symposium ‘Why the world needs anthropologists’, which was attended by more than 200 visitors from Europe and beyond. At the event, annually organised by the Applied Anthropology Network of the European Association of Social Anthropologists (EASA) in collaboration with various institutions, the speakers and the audience tried to find out how to establish cooperation between academic and applied anthropology.
Erika Steinbach, Die Macht der Erinnerung, 2nd ed. (Vienna: Universitas Verlag, 2011).
Jews in Shakespeare’s England
Expulsion and their readmittance under Cromwell. This article will identify and examine some of this evidence, beginning after the expulsion of the Jews from Spain in 1492 and Portugal in 1497 in order to disprove the idea that Shakespeare lived in a country
This article analyzes Sabrina Janesch's 2010 novel Katzenberge through the lenses of Heimat and spatial theory. Katzenberge, which is told from the perspective of the third generation (i.e., grandchild) of expellees, narrates the story of Polish flight out of the Polish-Ukrainian border region of Galicia into the German-Polish border region of Silesia. I argue that Katzenberge chronicles a generational shift in relationships to the verlorene (lost) Heimat from the expellee generation's static view (Heimat as the physical territory itself) to the third generation's more fluid conceptions (Heimat as memories, stories). The purpose of this article is to illustrate changing ways of engaging with the verlorene Heimat over time and particularly to show the role that literature plays in facilitating and explaining these changes while also opening up new avenues of understanding both across generations and across German-Polish national borders.
The Conversion of Land and Labor in Bali’s Recent History
relationships might indicate the rise of a new logic of expulsion, wherein land, places, and resources are useful for making profits, but the local communities and the people who live there are not ( Kalb 2015 ; Li 2010b: 69 ; Sassen 2014 ; see also Fagertun