In the year 2000, Egyptian women were given the right to unilateral divorce through a procedure called khul'. Khul' became the source of much controversy in Egyptian society, and most judges interviewed by the author expressed a negative viewpoint when asked about it. Nevertheless, the introduction of the Family Court system in 2004, with the explicit aim of solving marital disputes through mediation and communication, has made possible a 'dialogue' between husband and wife in a khul' procedure. This applies even in situations where mediators and judges profess an unfavourable opinion of women who file for khul' divorce.
How Family Courts Are Providing a ‘Dialogue’ between Husband and Wife
An Ethnographic Analysis of Everyday Challenges
Following the 2003 reform and the Supreme Court ruling of 16 December 2006, Baha'is of Egypt find it increasingly difficult to have their citizenship rights recognised. This article draws on personal observation and analysis carried out in the context of broader research on Egyptian citizenship. I will introduce the condition of Baha'is in this country, from a historical and legal perspective, before starting an overall analysis of what being an oppressed minority means, in concrete terms, in the practice of everyday living. The article will then delineate how the ambiguities of state policies towards Baha'is are reflected in their daily lives.
An Interview with Aharon Barak
This article is based on an interview conducted in July 2018 with Aharon Barak. In it, Barak reflects on the peace negotiations with Egypt at Camp David during 13 days in September 1978. While expressing great appreciation for the American negotiating team, first and foremost for President Jimmy Carter, for bringing the talks to a successful close, Barak considers negotiating with Carter as the toughest experience of his life. According to Barak, who had just completed his role as legal advisor to the government (1975–1978) and was appointed to the Supreme Court, the key people in the Israeli delegation were Menachem Begin, Moshe Dayan, and Ezer Weizman, while the key players in the Egyptian delegation were Anwar Sadat and Osama El-Baz. The negotiations went through ups and downs and had reached the brink of collapse until the Americans proposed that Carter negotiate directly with El-Baz and Barak. In the article’s conclusion, some important insights are deduced from this interview for future, successful negotiations.
This paper attempts to show that while the production of waste may be universal, the threat it poses is not. In order to explain and justify the question ‘what type of problem is waste’, the paper begins by attempting to, first, provincialise the ‘environmental’ framing of waste by examining the category's historically changing problematisations in Western Europe and North America, and, second, through a critique of Mary Douglas's work , to argue that waste should be theorised ethnographically rather than analytically. It then argues that, in Egypt, the materiality of litter and the sociality of waste work are sublimated into a religio‐civilisational register based on the central trope of cleanliness rather than environment. It does so by considering various meanings and inflexions of the word ‘cleanliness’ in vernacular usage, the way the terms environment and pollution are used, naming conventions for waste collectors and anti‐litter campaigns.
Shireen H. Alkurdi, Awfa Hussein Al-Doory, and Mahmoud F. Al-Shetawi
countries, he refers to the Arab world before visiting Egypt in his play Peer Gynt . Thereupon, by referring to the Arabs, he does not mean only Egyptians but rather Arabs in general. Ibsen's works have been studied and dealt with from different angles
Reflective Remarks in Three Snapshots
newsstands in Egypt amid a climate of huge euphoria. The new monthly magazine was at once a product and an agent of a richly complex moment, one in which the Egyptian state under President Gamal Abdel Nasser appeared to embark on an all-out ‘cultural
Expressions of Love and Grief in Egyptian Popular Music
seven months for ‘Neighbour's Daughter’ ( Mahragān bint al-jīran , 2019), performed by mahragānāt artists Ḥassan Shakoush and Omar Kamal, to become one of the most watched Egyptian videos on YouTube. 1 The lyrics of this mahragān describe the
An Upper Egyptian Lear
Noha Mohamad Mohamad Ibraheem
one that burns my feet … Make their minds, hearts, and bowels burn, just as my feet are burning! 1 Al-Bāsil Ḥamad al-Bāsha is a tycoon who rules like a king over Dahsha, a small fictional village in Upper Egypt. He openly trades in camels while
This is an excerpt from Gabriel Josipovici's life of his mother, Rabinovitch, who died in 1996 at the age of eighty-five. Sacha and her elder sister Vera, known as Chickie, were born in Helwan, near Cairo, in 1910 and 1909 respectively. Their father, a Jewish doctor from Odessa, died when the children were five and six, their mother was carried away by the epidemic which swept Egypt when they were ten and eleven. The greatest influence on the two little girls was their English nanny, who died the following year. After a brief period with their Syrian stepfather, Max Debbane, they went to live with their maternal grandparents, and it is here that the extract starts.
Three Roles in the Career of Tahia Carioca (1946, 1958 and 1972)
The first news regarding female Egyptian dancers came through European traveller tales. Many artists travelled to Egypt in the nineteenth century and managed to see dancers or searched specifically for them, making these women one of the most