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The Art of Revolutionary Praxis

Ghosting a History without Shadows

Duane H. Davis

of critically examining the promise of Marxism in immediate post-war France. His 1960 essay, ‘Eye and Mind,’ is best known as a contribution to aesthetics. This work calls for an appreciation for the unique value of abstract painting and provides a

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Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

. In this article, I look to the philosopher Maurice Merleau-Ponty's later writing on depth in order to approach but not try to measure Anderson's film and its poetic evocations of loss. Drawing on Merleau-Ponty's “Eye and Mind” and other relevant texts

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John Gillespie and Katherine Morris

revolutionary politics (in Humanism and Terror ) and revolutionary art (in ‘Eye and Mind’). Finally, Andrey Gordienko returns to Badiou's critique of Sartre: one cannot be responsible for a generic multiplicity, says Badiou: ‘One can only be its militant

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Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

: Northwestern University Press . Merleau-Ponty , Maurice . ( 1961 ) 1993 . “ Eye and Mind .” In The Merleau-Ponty Aesthetics Reader: Philosophy and Painting , ed. Galen A. Johnson , 121 – 149 . Evanston, IL : Northwestern University Press . Merleau